Tag: poetry

Images of isolation

Issue 1/1992 | Archives online, Fiction, poetry

Poems by Helvi Juvonen, commentary by Soila Lehtonen

Little is known of the circumstances of Helvi Juvonen’s life. Her fame rests on five collections of poetry – mixing humility and celebration with an uncompromising rigour – published in the ten years before her death at the age of 40 (a sixth appeared posthumously). Her existence, in the drab surroundings of post-war Helsinki, was modest: after studies at Helsinki University, and posts as a bank clerk and proof-reader, she lived by writing and translation, including some brilliant renderings into Finnish of the poems of the 19th-century American poet Emily Dickinson.

Helvi Juvonen’s universe is crowded with ostensibly insignificant phenomena: her eye discerns a mole, lichen, dwarf-trees, a shrew; she studies tones of stone and moss; she ‘doesn’t often dare to look at the clouds’.

Us

Rocks, forgotten within themselves,
have grown dear to me.
The trees’ singing, so useless,
is my friend.

Silver lichen,
brother in beggary,
please don’t hate my shadow
on the streaked rock. More…

The skin at its thinnest

Issue 1/1992 | Archives online, Fiction, poetry

Poems from Huden där den är som tunnast (‘The skin where it is at its thinnest’, Schildts, 1991)

Just now I find myself where I most of all 
	want to be.
Just now the view is the one I most want to look at.
She who is sleeping in my bed is the one I most want to 
	sleep with.
This sandwich tastes better than all other sandwiches. 
The grass on our side of the fence is greener than on
	the other side.
This summer is more beautiful than all the summers of childhood. 
The illnesses I suffer from suit me better than
	all other illnesses.
My loss is greater than any other I have encountered. 
I would not trade my face in the mirror for all
	the mirrors in the world.
*

More…

Dark gods: on the prose and poetry of Mirjam Tuominen

Issue 4/1991 | Archives online, Authors

‘With her collection of short stories, Mirjam Tuominen, hitherto an unknown name, has won a place among the very elite of our literature; it is a long time since we have witnessed such an important debut. What is so strange is that the author who is now making her appearance is a truly original talent. She is an artist in soul and spirit, and not merely a more or less gifted writer… There is no doubt that she touches the nerve of our time very intimately, and that her short stories are not products of literature, but really do contain within their form the living word.’

With this enthusiastic review, in 1938, the leading Finland-Swedish critic Hagar Olsson, who had also been the friend and active supporter of Edith Södergran, introduced the young Mirjam Tuominen’s first collection of short stories, Tidig tvekan (‘Early hesitation’). More…

Speaking about the heart

Issue 2/1991 | Archives online, Articles

New Finnish poetry, translated and introduced by Herbert Lomas

The ‘modernist’ revolution in Finnish poetry is now 40 years old, and the art must be ripe for changes.

Of course, the modernism of post-war Finnish poetry was not – except in Haavikko and to some extent in Saarikoski – extremely modernist. The poets were more interested in their content than their experiments. They were perhaps closer to ancient Chinese poets and early Pound than to Eliot in their elided brief juxtapositions and meditations on nature, society and moment-to-moment transience. The poets picked up a few liberties that unshackled them from metrical and rhyming formalities uncongenial to Finnish stress, syntax and phonemics; and they took off to speak about the heart. That is the strength of this poetry, and its originality, since all originality consists in being oneself – which includes one’s national self, and ultimately other people’s selves. And every generation still has to make a new start, admittedly in new circumstances, with the experience of its forefathers from birth to death. More…

The sun’s progress

Issue 1/1991 | Archives online, Fiction, poetry

A selection of poems. Introduction by Erkka Lehtola

the wind
blew the clouds to travel
across heaven
the fire to speak

our gods
together with us
the same joy
dreamed dreams
the sun’s progress
along the highways
the moon in the vent-hole
aurora borealis
heaven’s stars More…

Words and silences

Issue 1/1991 | Archives online, Authors

A collection of poems and photographs by the Finnish Lapp artist Nils-Aslak Valkeapää is an uncompromising statement of the culture of one of Europe’s last truly local peoples

After its supersonic journey across the skies, Concorde lands at Rovaniemi airport. The steel bird disgorges its cargo: rich Europeans on a day trip to Lapland. Among them are a few even more long-distance travellers, from Japan.

Father Christmas greets them cordially. They visit the Arctic Circle. They eat in the frosty outdoors, in front of a roaring campfire. They ride in a reindeer sled. It is the exotic experience they have hoped for; they laugh for the pleasure of it. More…

We’re all perfect

Issue 4/1990 | Archives online, Fiction, poetry

Poems from Laki  (‘The law’, 1990)

The Law

No one’s stupid – there are
people deprived of the wise,
and those with self-respect
knocked flat. No one’s
hardened – there are people with
calloused wounds.
No one’s blind – there are
people cataracted by custom. Be different:
heal wounds and look up – wake
your dear one in mid-sleep, hug her.
(We’re all perfect.) More…

Ordinary people

Issue 2/1990 | Archives online, Fiction, poetry

Poems from Vaikka aamuun on vielä aikaa (‘Though it’s still a long time till morning’, 1989) Introduction by Risto Rasa

This time
 this time of consensus
 that teaches
           the poor to love the prosperous,
           the bossed to love the bossers
           the kicked to love the kickers
           and all of us to love humility
 obedience and biddability
 before the hingdom, the power and the glory:
 this time
 cries out for a tearer-up,
 calls for a muster
 of thousands and thousands
 of serious and honest busters.  More...

A birthday visit

Issue 2/1990 | Archives online, Authors

Last June the master Nieminen – poet, translator, sinologist – was sixty. So we – a group of his friends, publishers and colleagues – set off on a visit to Myllykylä to congratulate him. This is the village where, with his wife, Nelli, he has been teaching primary school since the early 1950s – right up to his retirement, at the end of the 1989 summer term.

At the approach to the school, the road petered out into a single gravel track, and someone announced his astonishment that roads like this were still around in Finland. It brought to mind a poem of the master’s: More…

It is the way it is

Issue 3/1989 | Archives online, Fiction, poetry

Poems. Introduction by Claes Andersson

One never swims out into the same waters
In the light night waits immediately below
One falls like a leaf through the space
of seconds, a wind blows
darkness against your cheek. More…

Between Eros and Thanatos

Issue 3/1989 | Archives online, Authors

Tua Forsström’s poetry is deeply disturbing. Inside her clairvoyant linguistic structures there appear realities and visions that like icons establish a strong and direct link with visions, perceptions, memories, desires and dreams which I myself recognise but which are concealed. Reading her becomes a crossing of borders: I have been in this room before! This reality filled with ambivalence and antagonistic forces, this magnetic field between Eros and Thanatos touches me to the marrow of my experience! More…

Life and letters

Issue 3/1989 | Archives online, Authors, Interviews

Meeting grey-suited Jarkko Laine on a Helsinki street, few would guess that he is a poet. His black briefcase seems more likely to contain accounts and computer printouts than Chinese poems or short stories by Raymond Carver. Few would imagine, either, that this friendly, smiling, gentle poet chairs the Finnish Writers’ Union, a post he has held since 1987.

And even fewer would guess that this is the most characteristic poet of post-war Finland, an ‘urbanist’, ‘child of Marx and Coca-Cola’, ‘mouthpiece for his generation’, ‘Nordic beatnik’, ‘the Gladstone Gander of Finnish literature, who succeeds in everything he sets his hand to’…

‘Sometimes it seems to me that people still brand me as a young poet,’ says Jarkko Laine, whose work is prolific and diverse: poetry, prose and journalism, in his capacity as editor-in-chief of the literary journal Parnasso. More…

If grief smoked

Issue 1/1989 | Archives online, Fiction, poetry

Poems from six collections of poetry. Introduction by Herbert Lomas

The City

How the houses have ascended in this city,
the abysses deepened, the water blackened,
soon to be creeping along the streets.

The railings are rusting through,
the water table’s rising,
the cellars are slopping.

Fear is rising, or being covered up
behind strangling discretion,
outbreaks of crime.

More…

Myth at large – an echo when life is mute

Issue 1/1989 | Archives online, Authors

At the end of Karen Blixen’s The Immortal Story certain characters have used all their contrivance to make a popular sailor’s fantasy – in which a crewman is invited to rich house, dined, wined and offered a woman – take place in reality. The crewman is found, all the events occur, but their actuality is entirely different from what was imagined and planned. The final image is a shell held to the ear – a sound that seems to have been heard long ago. The sound of the cosmos is the unpredictable voice of the Puppet Master who subtly alters the plots of the puppet masters.

Eeva-Liisa Manner writes both poetry and prose but carefully distinguishes the two:

Prose, let it be hard as you like, let it  make you restless.
But poetry's an echo heard when life is mute.

More…

Far from the world

Issue 1/1989 | Archives online, Authors

The narrow, icy road winds its way up to the small village. There are just a few houses, and scarcely two dozen inhabitants, all of them Swedish-speaking. It is many hundred kilometres to Helsinki, but nearby are a few very small, Swedish-speaking towns.

This is a Finland that Finns themselves do not know. Only a few travel here – and the people who live here do not like to go anywhere.

The poet Gösta Ågren, 52, is one of the villagers. All the other inhabitants are his childhood friends. Gösta Ågren is no different from the others. Even his house is just as unassuming as the rest, for this is not prosperous country. He built his house himself, painted it yellow and red and decorated its interior timbers with inscriptions of a kind generally found in Dalecarlia in Sweden. Gösta Ågren was born in the place where he built his house. More…