Tag: novel

Alone together

Issue 2/2003 | Archives online, Authors, Reviews

The novel Näiden seinien sisällä me emme näy (‘Within these walls we are invisible’, Tammi, 2002) depicts the experience of motherhood. When a child is born, the balance of power in Ellen and Tapani’s home, in which they have been alone together for ten years, shifts. Ellen’s relationship with her baby is so all-embracing that her husband inevitably becomes an interloper; Tapani continually leaves his teacup on the bookshelf and shatters the secret order Ellen has created. Washing-up, gumboots, dirty shirts shackle her thoughts to the material, which humiliates her.

Katri Tapola (born 1961) has, in earlier prose-works, cast light on women’s interior landscapes; Kalpeat tytöt (‘Pale girls’, Tammi, 1998), which followed a woman’s growth, received the Helsingin Sanomat prize for a first novel. Even then, the narrative ran much deeper than the psychological level, to the time before the developed self. Tapola’s children’s book, Kivikauppaa ja ketunleipää (‘Stone trade and wood sorrel’) received the Arvid Lydecken Prize for children’s literature in 2002. More…

Home alone?

30 June 2003 | Authors

Kari Hotakainen

Photo: Veikko Somerpuro

Kari Hotakainen’s novel Juoksuhaudantie (‘The Trench Road’, WSOY, 2002), has sold more than 100,000 copies, an enormous number in Finland, and more than any other Finlandia Prize-winning work since 1986. Why?

Matti Virtanen is close to being the most common man’s name in Finland. In Kari Hotakainen’s sixth novel, this on the one hand ordinary but on the other extraordinarily obsessive Virtanen chances, in a state of agitation, to hit his wife, as a result of which the wife and their daughter leave. Virtanen gets it into his head that the only way to win forgiveness and get his family back again is to get them a home of their own. Virtanen believes himself to be a blameless ‘home-front man’, the opposite of the wargoing generation of his father and grandfather:

‘A home veteran looks after all the housework and understands women. Throughout our marriage I have done everything that our fathers did not. I did the laundry, cooked the food, cleaned the flat, I gave her time to herself and protected the family from society…. I listened, I understood,I caressed, I foreplayed and kept the mood going after intercourse. I had had no education in any of this, nor was there any kind of example for me tofollow.’ More…

Des res

30 June 2003 | Fiction, Prose

Extracts from the novel Juoksuhaudantie (‘The Trench Road’, WSOY, 2002)

Matti Virtanen

I belonged to that small group of men who were the first in this country to dedicate themselves to the home front and to women’s emancipation. I feel I can say this without boasting and without causing any bickering between the sexes.

A home veteran looks after all the housework and understands women. Throughout our marriage I have done everything that our fathers did not. I did the laundry, cooked the food, cleaned the flat, I gave her time to herself and protected the family from society. For hours on end I listened to her work problems, her emotional ups and downs and her hopes for more varied displays of affection. I implemented comprehensive strategies to free her from the cooker. I was always ready with provisions when she got home exhausted after a day at work. More…

Woman and myth

Issue 4/2002 | Archives online, Authors, Reviews

Anu Kaipainen (1933-200) was a prolific writers; she published more than twenty novels, numerous stage, television and radio plays.

Kaipainen’s work has not been translated very widely. ‘The language of my books has often proved too difficult,’ the writer herself has said. Kaipainen’s language rings with the rhythms of the Karelian dialect, even the songs of the Kalevala, although in earlier novels it is linked with social reportage.

Typical of the writer’s work is diversity of material and style. Before post-modernism, this was called a collage technique. In her novels, Kaipainen has interleaved myths, folk stories and contemporary themes, as she also does in  Granaattiomena (‘Pomegranate’, WSOY) which is entwined around the Oedipus story from the point of view of Oedipus’s mother. More…

Manmother

Issue 4/2002 | Archives online, Fiction, Prose

Extracts from the novel Granaattiomena (‘Pomegranate’, WSOY, 2002). Introduction by Kristina Carlson

The journey

Mother had sent her son to the island of Rome.

She’d sent him for pleasure and recreation, and also to have a little time by herself. Even though their life together was on an even keel, it was sensible to have some time away from each other. She herself was sixty-eight, and her son an unmarried hermit in his thirties, on sickness allowance for the last couple of years. He was afflicted with chronic depression. The doctors had been unable to identify the cause. The origin of a disorder of that sort was often looked for in some infant trauma; but the boy’s childhood, from all appearances, had been harmonious. One doctor suspected the time of his father’s terminal illness, when the boy had had to nurse his father for a long while. More…

Season’s greetings

Issue 4/2002 | Archives online, Fiction, Prose

An extract from the novel Kolmastoista tuoli (‘The thirteenth chair’, Atena, 2002)

The start of the Christmas season was difficult for everybody, but it was one big upset for Ron and Dan, the twins. At Christmas, apparently, their whole world, all their schoolmates and backyard-mates, the whole gang of them, were avoiding the twins. No one seemed to be even talking to the twins, who said everyone was just concentrating on ‘being nice’.

‘Nice!’

The pain on the boys’ faces looked the real thing. They were without chums, and the reason was even more annoying.

‘They have to be nice, for they’re expecting presents from Father Christmas.’

Christmas was coming and was having a weird effect on the youngest. For the twins, effort and a reward for a good try were completely foreign concepts. At this point, their lives were sheer adventure. They were lavished with overflowing care and love – and not one Christmas present. More…

How to peel an orange

30 December 2002 | Fiction, Prose

Extracts from the novel Auringon asema (‘The position of the sun’, Otava, 2002)

There are times when God rules. Then logic is burned on bonfires and left to rot in damp prisons with rats. There are times when logic rules. Then God is burned in the squares and his houses are made into schools. There are times when attempts are made to demonstrate that God and logic can live in the same place and that they are, in fact, the same thing, but those times are truly strange times. And there are times when God and logic live side by side but in different places, like adult siblings who cannot live in the same place but nevertheless get on well together. When my father and my mother loved each other, they were ruled by God, and there was no logic in it, none at all. More…

Secret lives

30 September 2002 | Fiction, Prose

From Piiloutujan maa (‘The land of the hider’, Otava, 2002)

When we look for a good apartment, a good café, a good place to be, we are looking for a childhood hideaway. We are looking for the wardrobe we used to retreat into when we had been hurt. We will always remember what being there feels like. We yearn for that same illumination, felt by the baby Jesus in Mary’s womb, as the world’s light shone in through the hymen. More…

Endurance tests

Issue 3/2002 | Archives online, Authors, Reviews

Jari Järvelä (born 1966) puts his characters in extreme situations, making them victims of crime, wanderers in the desert, victims of car crashes as in the novel 66 luuta (‘66 bones’, 1998), or of torture and extortion as in the novel Lentäjän poika (‘The pilot’s son’, short-listed for the Finlandia Prize in 1999) and of war in the novel Veden paino (‘The weight of water’, 2001).

There are also plenty of problems to be found in difficult relations between men and women or at work. Järvelä’s themes also include power games originating in expert power and the shame that follows humiliation. These are also linked with a criticism of the Finnish culture of silence. This stops people not only from speaking, but also from analysing their traumatic experiences. More…

Quiet strength

Issue 3/2002 | Archives online, Authors, Reviews

Eeva Tikka (born 1939) is an explorer of what lies under the surface, the secret strata of the human mind, who reveals the whirlpools that are generally hidden between the ordinary and the conventional. The themes of her collection of short stories, Haapaperhonen (‘The butterfly’, 2002) are death and relinquishment.

Tikka originally trained as a biology teacher and worked in teaching for a couple of decades before becoming a full-time writer in 1982. She has published more than 20 volumes, comprising novels, collections of short stories, poems and children’s stories. The children’s stories are illustrated by her sister, Saara Tikka. More…

Brighter than darkness

Issue 2/2002 | Archives online, Fiction, Prose

An extract from the novel Eksyneet (‘The lost’, WSOY, 2001). Interview by Markus Määttänen

It was a white tiled wall. Too white. Sterile. He wondered how long he had been looking at it. In any case long enough to have forgotten it was a wall. It had changed into a vacuum opening up before him and then shrunk into a tunnel through whose irresistible suction he had hurtled toward the painful images of the past. The past. Yesterday. Almost yesterday. He had stared at the nocturnal entrance, clearly divided in two by the street lamps, and not just that, but now saw only a lifeless and, in its lifelessness, repellant wall. He sighed, rubbed his numb face, pushed himself off the floor and stood up.

More…

Displaced persons

Issue 2/2002 | Archives online, Authors, Interviews

The novels of Asko Sahlberg (born 1964) have introduced a new kind of existential narrative cum thriller to Finnish literature. Interview (2002) by Markus Määttänen

Asko Sahlberg survived a real test of his skills as a writer in the year 2000 in the shape of his novel Eksyneet (‘The lost’). It almost killed him.

‘When I finally finished it, I went on a binge for about a month. A terrible depression, almost as if a child had died. Such a deep low that my private life, too, went to hell, and I split up with the Swedish woman I’d been living with. It was perhaps the most difficult process I’ve been through in my entire life. But it made a damn good book.’

Asko Sahlberg was the literary phenomenon of autumn 2000. A Finn who had lived the life of an outsider in Gothenburg, Sweden, for four years and had deliberately set out to be a writer gave voice to the Scandinavian darkness. More…

From Bosnia with love

31 March 2002 | Authors, Reviews

Daniel Katz

Photo: Pertti Nisonen

Daniel Katz’s new novel Laituri matkalla mereen (‘A jetty to the sea’, WSOY, 2001), tells the story of the impossible romance between the Bosnian wife of a blind Finnish colonel and a history teacher. Introduction by Tuva Korsström

At some point 250 years ago, a Swedish monarch decided to grant town status to some villages in the estuary of Kuhnusjoki (‘Sluggish river’) on the south-west coast of Finland.

There the little town lies today and is, with its environs, the setting for Daniel Katz’s novel Laituri matkalla mereen (‘A jetty to the sea’). It’s the late 1990s, early autumn, and this year the autumn gales come early. The history teacher Henry Loimu goes down to the bank of the river to repair his jetty in the gusts of wind. More…

Blind man’s buff

31 March 2002 | Fiction, Prose

An extract from the novel Laituri matkalla mereen (‘A jetty to the sea’, WSOY, 2001)

Ten steps along the path marked out by the poet

In a gravel pit illegally dug by the sand-king Gropius and later abandoned, the colonel and Henry were shooting at tin cans with pistols. The pit neighboured the Colonel’s home, and he was in the habit of carrying out target practice there with the help of Jovan, to keep his hand in.

The cans were placed at twenty-metre intervals in front of a sandbank and were raised on coil springs, so they swayed freely in the air. Each of them was attached to a long line; this, when pulled, swayed the cans, rattling stones inside them. Following the sound, the colonel identified the can’s position, aimed and fired. The hits he heard himself, the misses usually struck the pieces of hardboard behind the cans. These were divided up dartboard-fashion into sectors and rings, and Jovan used binoculars to spot the hits on them and announce the points of impact as clock-numbers and distances from the can’s central position, enabling the colonel to correct his aim. This he did with the aid of a rake. He held the rake upright, prongs downwards, so that its handle stood roughly perpendicular to the ground. Moving the handle sideways with careful estimation, and sliding his pistol hand up or down on the handle, he was able to make corrections with reasonable accuracy and determine his aim. More…

Head first into literary stardom

Issue 1/2002 | Archives online, Authors, Reviews

Reidar Palmgren has described his first novel as ‘a story about father and son, swimming, cycling, hi-fi electronics and ghosts’.

Palmgren has had frequent opportunities to talk about his definition, as Jalat edellä (‘Feet first’). He has become a popular guest in libraries, book shops and on television programmes, the novel was awarded the Helsingin Sanomat Literary Prize for the best first work in 2001, it has been selling well and the rights have already been sold for a translation into Swedish. More…