Tag: novel

At the Fluctuating Reality Club

30 March 2007 | Authors, Reviews

Leena Krohn. Photo: Mikael Böök / Teos

Leena Krohn. Photo: Mikael Böök / Teos

For Leena Krohn, compromise doesn’t seem to be an option. Although the novel Mehiläispaviljonki (‘The bee pavilion. A story about swarms’, Teos, 2006) is her 26th book, her uncompromising approach doesn’t show the slightest sign of relaxing.

Once again, Krohn (born 1947) spreads before the reader an array of fragments of reported realities, which crisscross the boundaries of imagination and challenge the whole traditional conception of the world.

Since the short-story collection Donna Quijote ja muita kaupunkilaisia (1983; English translation: Dona Quixote and Other Citizens, 1995), Krohn has moved more towards the role of thinker and polemicist than ordinary storyteller. In her work in the 1980s and 1990s, she developed a unique, highly personal hybrid literary form, which combines the elements of fiction and essay. Krohn’s attention has focussed on human consciousness, ecology and moral and social questions. Her work has been translated into 12 languages; she received the Finlandia Prize for Literature for her work Matemaattisia olioita tai jaettuja unia (‘Mathematical beings or shared dreams’, 1992). More…

Really existing?

30 March 2007 | Fiction, Prose

Extracts from the novel Mehiläispaviljonki. Kertomus parvista (‘The Bee Pavilion. A story about swarms’, Teos, 2006)

There are few old buildings in this town. Most are demolished to make way for new ones long before they reach the end of their first century.

Nevertheless, one brick building in our part of town, built at the beginning of the last century, was spared demolition for a long time. The two-storey building functioned as a Support Centre for the Psychically Ill and later on, for a couple of winters, as a shelter for alcoholics. The board fence that had surrounded the building for decades was taken down long before the building itself, but the maples on the sidewalk cast their shadows on its windows to the very end. When the lilacs and dogwoods in the back garden were in bloom, their heavy racemes shed purple and white on the sand. More…

In the Congo

Issue 4/2006 | Archives online, Authors, Reviews

During the 1930s the Finnish government planned to establish a number of work camps with the intention of turning young men into model servants of the fatherland through a regime of hard work and discipline. Jari Järvelä’s novel Kansallismaisema (‘National landscape’, Tammi, 2006) is set in the forests near the Russian border on a work camp for young offenders called the Congo. The principal aim of the camp is to socialise these boys through hard work and education, though there seems to be a somewhat military aspect to the project too; the year is 1938, and the rise of fascism and the threat of war are not far from anyone’s mind.

The central character Yrjö Pihlava, an antihero who in the past has worked as a logger and tried his hand at numerous other professions, is hired at the camp as a guard. He doesn’t appear to understand quite what is going on, and in this respect the reader is much wiser than he is. More…

Man and boy

Issue 4/2006 | Archives online, Fiction, Prose

Extracts from the novel Kansallismaisema (‘National landscape’ Tammi, 2006). Introduction by Tuomas Juntunen

Plans were afoot to establish boys’ camps across the country. This was an experiment, a chance to test the water, to be a pioneer. Here was the opportunity to be the first in line to conquer the Wild West, just as many a brave cowboy had done in years gone by. The Ministry of General Affairs planned to put all 15-year-olds to work for the duration of the summer holidays. Casual labourers were often even younger. Our task was to ascertain a suitable minimum age. In addition, special camps were planned for those not suited to normal work camps. In the summers to come the youth of Finland would be fully employed. Weren’t we in fact driven by the same desire, Tikka had wondered. We both cared about the next generation. We wanted to root out their deficiencies so that they would be able to face life’s challenges to the full. More…

Dear God

30 September 2006 | Authors, Reviews

[Maria Antas reports to God on Erik Wahlström’s novel:]

Hello God!

I have just read Erik Wahlström’s new book with you as the central character (Gud, ‘God’, Schildts, 2006), and now I think I know you and like you better than I did before. While it is true that during my career as a literary critic I have often come across novels where you appear both as an Old Testament patriarch and as the bleeding fellow human being of the Gospels, it is not until now that I have read a novel that sheds light on your complexity, while at the same time making many demands on me as a person and as a critic. More…

Being God

30 September 2006 | Fiction, Prose

Extracts from the novel Gud (‘God’, Schildts, 2006)

Side by side, wolves and antelopes graze on the juicy grass.

A deer playfully chases a lion through the bushes.

‘Can you do this?’

Adam crosses his arms in front of his chest and folds his hands back to front so that the right hand is on the left and the left hand is on the right. With his hands folded he twists them downwards and holds them out. Now they point to Eve, still folded, and still with the right hand on the left.

Eve tries. She succeeds, and laughs with delight.

A gentle breeze is blowing from the east, just strongly enough for the couple not to be troubled by the heat, but not so they would feel the need for clothes to keep them warm. More…

A day in the life of a son

Issue 1/2006 | Archives online, Authors, Reviews

Jarmo Papinniemi on Markku Pääskynen’s new novel

In Markku Pääskynen‘s third novel, the two greatest modernists’ ways of portraying the human mind come together: James Joyce’s plunging, leaping, unstudied free-associations are combined with Marcel Proust’s calm, broadly arching, cultured yet intimate deliberation.

Considered one of the most original creators of new Finnish prose, Markku Pääskynen (born 1973) began his career with two ambitiously constructed novels that experimented with the properties of literary narrative. Etanat (‘The snails’, 2002) starts off in Gothenburg, Sweden, with a streetcar accident, and the role of coincidence in the story is carried to the extreme. Ellington (2004) is a portrait of a serial killer in which the truth keeps changing until the reader is so thoroughly confounded that in the end it’s clear that there is no ‘real’ truth underneath the various versions of the story. More…

Childhood revisited

Issue 1/2006 | Archives online, Fiction, Prose

Extracts from the novel Tämän maailman tärkeimmät asiat (‘The most important things of this world’, Tammi, 2005). Introduction by Jarmo Papinniemi

I was supposed to meet my mother at a café by the sea. She would be dressed in the same jacket that I had picked out for her five years ago. She would have on a high-crowned hat, but I wasn’t sure about the shoes. She loved shoes and she always had new ones when she came to visit. She liked leather ankle boots. She might be wearing some when she stepped off the train, looking out for puddles. She didn’t wear much make-up. I don’t remember her ever using powder, although I’m sure she did. I could describe her eye make-up more precisely: a little eye shadow, a little mascara, and that’s all.

That’s all? I don’t know my mother. As a child, I lived too much in my own world and it was only after I left home that I was able to look at her from far enough away to learn to know her. She had been so near that I hadn’t noticed her. More…

Scenes from a marriage

Issue 4/2005 | Archives online, Authors, Reviews

Everything seems fine. A middle-class pastor’s family has found their place in the world. The holy family – husband, wife, and son – have been getting up for years without questioning the new day. But when the son leaves home, the coupIe’s thirty-year marriage soon goes flat like champagne left to stand in a glass overnight.

Pirkko Saisio’s novel Voimattomuus (‘Powerlessness’, WSOY, 2005) is not merely an ordinary family drama or love triangle story. It is an extraordinarily sharp analysis of the people of our time. Saisio (born 1949) is a writer and theatre professional who has no difficulty in building her various sets in such a way that the people she places in them have flesh and blood, and an economical dramaturgy courses through events. More…

Midsummer madness

Issue 4/2005 | Archives online, Fiction, Prose

An extract from the novel Voimattomuus (‘Powerlessness’, WSOY, 2005). Introduction by Maila-Katriina Tuominen

Cast:
a man
a woman
a boy

Midsummer Eve. A cabin.Outside it’s raining a little, but the blanket of clouds is already breaking up.
It’s bright in the cabin, like daylight. The table is set.
A bunch of wild violets, torn from its means of support, droops in the middle of the table, surrounded by stemmed glasses and paper napkins folded into the shape of swans. The champagne, aquavit and white wine are still chilling.
A man and a woman walk into the cabin wearing bathrobes. She has a terrycloth towel wound around her head like a turban. They’re coming from the sauna. He looks at the table with surprise. The table is set for three.
She notices the man’s gaze and hurries into the bedroom to get dressed.
He takes a beer out of the refrigerator and sits down at the table in his bathrobe.
A long silence. More…

Animal farm

30 December 2005 | Authors, Reviews

Kaarina Valoaalto

Photo: Miriam Ramirez

Kaarina Valoaalto is a writer who obviously adores rolling around in language – in the same way as one of the dogs in her new novel, Nooakan parkki (‘Noahannah’s barque’, Tammi, 2005):

‘Mother dog gets up off her fat tail and trundles over to the slope in the yard for a bit of a roll around. There’s rough gravelly ice on the bumpy road surface. She rapidly wiggles her rotund body from side to side, thrusting her legs against the kerb to generate enough power, and a contented half-purr half-growl issues from her chest, enough to melt the ice in the most irascible mistress’s heart. This is undoubtedly the sort of thing a mother feels about her baby’s first gurglings.’ More…

All aboard

30 December 2005 | Fiction, Prose

Extracts from the novel Nooakan parkki (‘Noahannah’s barque’, Tammi, 2005)

A Royal Navy Three-funnel Brig

The crew:
Matilda, an overeating cat
Five geese
20 hens
A fat narcoleptic cock
A couple of ducks
A goat
Three dogs
48 bats
Six woodpeckers
104 titmice
There’s a north-westerly blowing.

Djibouti 253

Three feet long from the east and five from the west, plus two hat-heights above the earth’s surface; standing on the sauna bench I scan the horizon for any omens – a raven, a woodpecker or a flock of waxwings. A crow would do. More…

The colour of sadness

30 September 2005 | Authors, Reviews

Kreetta Onkeli

Photo: Pertti Nisonen

In her first novel in 1996, Kreetta Onkeli (born 1970) brought the municipality of Luhanka in central Finland – which had not hitherto attracted much attention – to readers’ awareness and the Finnish literary tradition. When Ilonen talo (‘The cheerful house’, WSOY) appeared, it became a prize-winning success and a bestseller.

The book will probably remain a minor classic among narratives of Finnish childhood. The ironic title is indicative of Onkeli’s naïvistic style and her multi-layered play with language. The house where the book’s pair of siblings grow up is anything but happy: the mother’s alcoholism and bad living habits make it more like a house of ill repute. (The title also contains a note of sarcasm: in Finnish, ilotalo is a euphemism for a brothel.) More…

Walking on ice

Issue 3/2005 | Archives online, Authors, Reviews

Valon reunalla (‘At the edge of light’, Teos 2005), the second novel by Maria Peura (born 1970), is an evocation of a small village in Lapland in the mid-1970s. The novel tells the story of the young Ristiina; it is divided into chapters each with its own title, thus underscoring the non-linearity of the narration and giving space to different people, events and environments.

The villagers, the highly respected and the strange, and the borders of the village, concrete and imaginary, surround Ristiina completely; eventually she manages to wriggle free of their grip. The novel begins with the words: ‘Don’t walk on the ice, they used to say, always. Ice can give way, crack open, you’ll fall in and drown. So they always said, that’s why we had to go. There was nowhere else to go.’ More…

Northern exposure

Issue 3/2005 | Archives online, Fiction, Prose

Extracts from the novel Valon reunalla (‘At the edge of light’, Teos, 2005). Introduction by Kristina Carlson

Kari

The village despised all those who left. They hated us too, though we were still only planning our final escape.

We used to escape the village. We would hide from its gaze in the forest or the cemetery where the gravestones were so close together that there was no room for the trees to grow. We knew why the freight train brought the village so many dead and so few living. It was the village’s fault. It had a wicked soul. The grown-ups didn’t know it. We knew it, but no one asked us. Death was within us; it was alive. Asking would have been too dangerous….

On the backs of the headstones we carved our own marks with the end of a knife. We blew out the candles laid at the graves of suicide victims. We worshipped them in the dark and no new candles were ever brought to their graves. The parents of those who died so young drove south. They were looking for stations with real waiting rooms and staff that made announcements. They sat on the hard benches waiting, waiting for the trains to come, at the right time; hoping the years wouldn’t wreak havoc after all, hoping they’d roll slowly back along the tracks, to brighten as they approached the village, giving life once again to their children. And everything could start over. More…