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Poetry and Patriotism
31 December 1985 | Archives online, Authors, Essays
J.L. Runeberg. Painting by Albert Edelfelt. 1893.
Much revered, but little read today, Johan Ludvig Runeberg (1804-1877) is famed for his patriotism and glorification of war in a just cause. Yet Finland’s national poet did not write in Finnish, and never heard a shot fired in anger. It is, perhaps, time for a reappraisal.
What did he himself think about becoming a national poet?
Enjoyed it, probably? Who wouldn’t!
Did he write what he wanted and let
the people find their own interpretation?
Or did he write what he believed
the people expected
of a national poet?
Lars Huldén, 1978
It would not be inappropriate to begin a collection of thoughts about Finland’s ‘national poet,’ Johan Ludvig Runeberg, with a biblical text, Second Samuel, 1:25: ‘How are the mighty fallen!’ Runeberg does not own the position he once did, either in the world at large or in Scandinavia; even in his home land his exceptional grandeur has been reduced or, horribile dictu, smiled at. More…
Fiat lux! Helsinki lit
9 January 2014 | This 'n' that
When there’s no snow in January, as is the case this year, the darkness does make Helsinki appear somewhat joyless. This year Canada and parts of the United States got more than a taste of freezing Arctic temperatures – but at the time of writing winter is still postponed in the lower half of Finland.
A temporary relief was brought by Lux Helsinki – staged now for the sixth time – as light, colour and sound made the capital brighter and more beautiful between 4 and 8 January.
The core of the city, the Cathedral, was adorned by a large heart placed at the top of the steps, beating in colours to music.
Corazón by Agatha Ruiz de la Prada. Photo: Marina Okras
Corazón, by the Madrid-born artist and fashion designer Agatha Ruiz de la Prada, in collaboration with the production and design company D-Facto, reflects her design themes of love and happiness.
One of the participants in Lux Helsinki was Unen ääret / Edges of Dreams: projected on to the façade of the Hakasalmi Villa (1843–46), between the Finlandia Hall and the Music House, it was inspired by the history of the building and its inhabitants. Now a museum, it became known as the home of a benefactor of the city, a rich and famous woman of her time, Aurora Karamzin from the 1860s to the 1890s.
Hakasalmi Villa: Edges of Dreams by Mika Haaranen. Photo: Lauri Rotko
The building was seen through dreamlike visions formed by painted films and shadow patterns by Mika Haaranen, a lighting and set designer and photographer. His works extend from the world of theatre and musicals to contemporary dance, concerts and film. The accompanying music was composed by Aake Otsala.
Lux Tram by students of lighting and sound design, Theatre Academy. Photo: Hannu Iso-Oja
Helsinki trams have been transporting citizens from 1891. One of the trams was transformed into a moving light installation by the use of programmable LED floodlights. The work was designed and realised by the Theatre Academy of the University of the Arts Helsinki lighting design students Riikka Karjalainen and Alexander Salvesen. A pity it was not possible to hop on…
He came in through the bathroom window
30 June 1991 | Archives online, Fiction, Prose
A short story from Utslag och andra noveller (‘Rash and other stories’, Alba, 1989). Introduction by Pekka Tarkka
He heard a voice behind him:
‘Hey, Aspelin, what are you doing here?’
Awakening from a half-sleep, he looked around as Ilpo approached his seat.
‘I work near here. I’m teaching math to the visually impaired.’
Ilpo sat down next to him. For several seconds they sat without speaking. Then Aspelin collected himself.
‘And you?’
‘Visiting a friend. He lives in Mäkkylä.’ More…
Wo/men at war
9 February 2012 | Essays, Non-fiction
The wars that Finland fought 70 years and a couple of generations ago continue to be a subject of fiction. Last year saw the appearance of three novels set during the years of the Continuation War (1941–44), written by Marja-Liisa Heino, Katja Kettu and Jenni Linturi
In reviews of Finnish books published this past autumn, young women writers’ portraits of war were pigeonholed time and again as a ‘category’ of their own. This gendered observation has been a source of annoyance to the writers themselves.
Jenni Linturi, for instance, refused to ruminate on the impact of her sex on her debut novel Isänmaan tähden (‘For the fatherland’, Teos), which describes the war through the Waffen-SS Finnish volunteer units and the men who joined them [1,200 Finnish soldiers were recruited in 1941, and they formed a battalion, Finnische Freiwilligen Battaillon der Waffen-SS].
The work received a well-deserved Finlandia Prize nomination. Tiring of questions from the press about ‘young women and war’, Linturi (born 1979) was moved to speculate that some critics’ praise had been misapplied due to her sex. The situation is an apt reflection of the waves of modern feminism and the reasoning of the so-called third generation of feminists, who reject gender-limited points of view on principle. More…
Human destinies
7 February 2014 | Articles, Non-fiction
To what extent does a ‘historical novel’ have to lean on facts to become best-sellers? Two new novels from 2013 examined
When Helsingin Sanomat, Finland’s largest newspaper, asked its readers and critics in 2013 to list the ten best novels of the 2000s, the result was a surprisingly unanimous victory for the historical novel.
Both groups listed as their top choices – in the very same order – the following books: Sofi Oksanen: Puhdistus (English translation Purge; WSOY, 2008), Ulla-Lena Lundberg: Is (Finnish translation Jää, ‘Ice’, Schildts & Söderströms, 2012) and Kjell Westö: Där vi en gång gått (Finnish translation Missä kuljimme kerran; ‘Where we once walked‘, Söderströms, 2006).
What kind of historical novel wins over a large readership today, and conversely, why don’t all of the many well-received novels set in the past become bestsellers? More…
Jukka Laajarinne: Ruoalla ei saa leikkiä [Don’t play with your food]
5 February 2010 | Mini reviews, Reviews
Ruoalla ei saa leikkiä
[Don’t play with your food]
Kuvitus [Ill. by]: Martti Ruokonen
Helsinki: WSOY, 2009. 60 p.
ISBN 978-951-0-35040-9
18.20 €, hardback
Jukka Laajarinne (born 1970) exercises his obsession with challenging authority again, stretching the boundaries of traditional children’s literature. It seems that becoming a father has made him wonder at the dominant role of food in everyday life: this book deals broadly with food, eating, and food culture. The impetus for the stories might be an ordinary figure of speech or adage that is taken apart and played with. For instance, King Midas, familiar from Greek mythology, who turned everything to gold with his touch, is transformed in Laajarinne’s retelling into a sticky-fingered kid who makes a mess of everything around him. Martti Ruokonen’s graphic illustrations are stark and even coarse in places, their colour choices and rounded forms reminiscent of visual images made for the first books for babies.
Nature’s not my thing
A short story from Hommes (Tammi, 2006)
Lying unemployed on my sofa I hear a lot of stuff on the radio almost every day you hear some children’s choir chanting the same songs over and over about our country’s blue lakes the sky and all our trees and their white trunks. They’ve all finally worked their way into my subconscious. After hearing enough of these songs my subconscious rears its head and commands my idle body: go to the forest. In a situation like that it’s hard to put up a fight or struggle against something you can’t see or hear or smell that all of a sudden pops into your head.
The great debate was over so quickly that hardly anyone managed to get a word in I think to myself as I lie in bed at night just before falling asleep. More…
A perfect storm
Bracing the waves. Ivan Aivazovsky, 1890.
According to Petri Tamminen, Finns are burdened by the need to succeed. Instead, he argues they should learn to fail better.
Part comedy, part tragedy, part picaresque novel, with a dash of Joseph Conrad – Tamminen’s new book, Meriromaani. Eräitä valoisia hetkiä merikapteeni Vilhelm Huurnan synkässä elämässä (‘A maritime novel. A few bright moments in Captain Vilhelm Huurna’s sombre life’, Otava, 2015) is set in an indeterminate seafaring past of the 18th or 19th century. It tells the story of the world’s most unsuccessful sea captain, Vilhelm Huurna who, one by one, sinks all the ships he commands.
Tamminen (born 1966) is a master of very short prose – this miniature novel is a a huge undertaking in the context of his work as a whole – and at Books from Finland we’re big fans. You can read more of his work here.
We join the story as Huurna, leaving behind him a failed romance in Viipuri, sets sail for Archangel, on the far north coast of Russia.
An excerpt from Meriromaani. Eräitä valoisia hetkiä merikapteeni Vilhelm Huurnan synkässä elämässä (‘A maritime novel. A few bright moments in Captain Vilhelm Huurna’s sombre life’, Otava, 2015)
The sun shone on the Arctic Ocean night and day, and the voyage went amazingly well, as did all the tasks and jobs that Huurna particularly feared beforehand.
Ships lay in Archangel harbour like objects on a collector’s shelf. They were waiting for timber cargo from the local sawmills where work was at a standstill because the mills lacked the machines and machine parts that they were now bringing them. When their cargo had been unloaded and the machines installed, timber began arriving from the sawmills. They found themselves at the end of the queue, and after the other ships had departed, one by one, they were still waiting in Archangel. That suited Huurna; in the first few days of his stay he had become acquainted with two English merchants and, through them, had received invitations to parties. He had stood in salons drinking toasts to the honour of this or that and made the acquaintance of some charming ladies into whose eyes he wished to gaze another time. He was quite moved by the whirl of this unexpected social life, and brightened at the thought that there was really nothing to complain about in his life apart from the fact that he happened still to be a bachelor. More…
See the big picture?
9 November 2012 | Extracts, Non-fiction
Details from the cover, graphic design: Työnalle / Taru Staudinger
In his new book Miksi Suomi on Suomi (‘Why Finland is Finland’, Teos, 2012) writer Tommi Uschanov asks whether there is really anything that makes Finland different from other countries. He discovers that the features that nations themselves think distinguish them from other nations are often the same ones that the other nations consider typical of themselves…. In Finland’s case, though, there does seem to be something that genuinely sets it apart: language. In these extracts Uschanov takes a look at the way Finns express themselves verbally – or don’t
Is there actually anything Finnish about Finland?
My own thoughts on this matter have been significantly influenced by the Norwegian social scientist Anders Johansen and his article ‘Soul for Sale’ (1994). In it, he examines the attempts associated with the Lillehammer Winter Olympics to create an ‘image of Norway’ fit for international consumption. Johansen concluded at the time, almost twenty years ago, that there really isn’t anything particularly Norwegian about contemporary Norwegian culture.
There are certainly many things that are characteristic of Norway, but the same things are as characteristic of prosperous contemporary western countries in general. ‘According to Johansen, ‘Norwegianness’ often connotes things that are marks not of Norwegianness but of modernity. ‘Typically Norwegian’ cultural elements originate outside Norway, from many different places. The kind of Norwegian culture which is not to be found anywhere else is confined to folk music, traditional foods and national costumes. And for ordinary Norwegians they are deadly boring, without any living link to everyday life. More…
Writing silence
6 June 2013 | Fiction, poetry, Reviews
In contemporary poetry the ‘lyric I’ of previous decades often hides behind language; the poem’s speaker is not the poet him/herself, narrative is not the norm. The website of a Finnish family magazine in 2007 discussed this: ‘OMG, this thing called contemporary poetry – crap!’; ‘Who knows what kind of psychopharma the writer’s on!’; ‘No meanings, just words one after the other. Why can’t people write something sensible?’ But the writer – and the reader – of contemporary poetry deliberately ventures onto the boundaries of language, and art requires readers (listeners, viewers) to make the decision of what they consider ‘sensible’. Mervi Kantokorpi explores and interprets two new collections of poetry
I read two of this spring’s new collections of poetry one after the other: Kivirivit (‘Stone lines’, Otava 2013) by Harry Salmenniemi and Pysty hiljaisuus (‘Vertical silence’, Teos 2013) by Miia Toivio. The experience was perplexing.
These two works are completely different from one another as regards their individual poetics, and yet the similarities between the themes that arise from them was arresting. Both works seem to inhabit an internal world of sorrow and depression, a world where the function of poetry is to forge and show its readers a path out of the anxiety. In their silence – and even emptiness – both collections have two faces: one lit up, the other darkened by grief. More…
Male parole
30 June 2006 | Authors, Interviews
Hannu Luntiala. Photo: Jukka Uotila
In his first collection of short stories Hannu Luntiala reinvents the form to examine the lives of 16 men. One story consists of just one long sentence; another is written in the made-up ‘Katalanian’ language; a third omits all the commas
A successful IT boss; a humble Greek Orthodox monk; an old man lying like a vegetable hooked up to a life-support machine. Hannu Luntiala’s collection of short stories presents us with sixteen men’s emotional landscapes. Entitled Hommes, the collection is the debut by Hannu Luntiala (born 1952).
Variety is to be found not only in the characters themselves, but in the language and style of each of Luntiala’s stories. For him language is an integral part of the story; it can open up new perspectives that a simple plot cannot. More…
The Onlookers
30 September 1978 | Archives online, Fiction, Prose
A short story from Naisten vuonna (‘In women’s year’, 1975). Introduction by Pekka Tarkka
The two elks came out on to the road through a gap between timber sheds. They began to cross the road, and the larger one was very nearly run into by a car. Cars stopped and horns tooted, till the elks turned and made off towards the harbour. Several cars swung round and drove along the cinder track in pursuit of the animals.
The elks headed across the rubble towards the power station; after circling some stacks of railway sleepers, they ended up on the flank of a coalheap sixty feet high. The cars pulled up and their occupants poured out, shouting that the elks wouldn’t go that way, it was a dead end. The elder of the two elks had indeed sensed this, and they moved off to the right, skirting the coal-heap and emerging among the timber-stacks. By this time the first cyclists and pedestrians had arrived on the scene.
“They’ll break their legs,” said a pedestrian to a motorist. “There’s all kinds of junk lying about.” More…
Mary Bloom
31 December 1983 | Archives online, Drama, Fiction
Introduction by Väinö Vainio
‘Is Mary Bloom about a revivalist religious meeting, a party political conference at which a new leader is born, or a rock concert? These are among the things that have been suggested. I don’t know. I don’t hope for restraint in the imaginations of those who choose.to interpret my work, although I observe it myself. The work of a writer is a part of life, it is an individual and collective experience that seeks, finds, takes and uses its materials like a motor machine. For those who create it the drama is real, as in the theatre, for the duration of the performance.’ Jussi Kylätasku
Characters
Mary Bloom
Martha, a doctor
Otto, a preacher
Disabled veteran
Serenity, his wife
Alcoholic
Cold Cal, a prisoner
Blind man, Deaf Wife More…
Paris, je t’aime
7 May 2010 | This 'n' that
Ismo Kajander: Miss France, 1998
‘Paris traverse la pensée comme une encyclopédie de la vie, où l’on découvre des passages, des cours intérieures, des ruelles et des autoroutes, toujours plus surprenants. La ville ne se vide ni n’abandonne jamais, n’accorde ni ne refuse.’
‘Paris permeates your mind like an encyclopaedia of life in which you will incessantly discover astonishing new passages, courtyards, alleys and avenues. It will never either run empty or surrender, it won’t admit or refuse.’
L’air de Paris / Pariisin tuoksu (‘Air of Paris’, Musta Taide, 2009) is an elegant little book that features artwork by Ismo Kajander and texts by Anna Kortelainen relating to the mother city of all artists. More…