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Digital dreams

4 February 2009 | Essays, Non-fiction

In this specially commissioned article, the first for the new Books from Finland website, Leena Krohn contemplates the internet and the invisible limits of literature.

Leena Krohn. Photo: Mikael Böök.

Leena Krohn on the way to Cape Tainaron, Southern Peloponnese, Greece; this is where Europe ends. Her novel entitled Tainaron appeared in 1985. – Photo: Mikael Böök (2008)

The world wide web, whose services most of us now use for work or entertainment, is a greater invention than we have, perhaps, realised up till now: according to the writer Leena Krohn, it is nothing less than an evolutionary leap

Technology combats the limitations of our senses, geography, and time. The human eye can’t compete with the visual acuity of an eagle, or even a cat, but with the best telescopes it can see into the early history of the universe, with new electron microscopes it can distinguish individual atoms.

The human senses nevertheless have an unbelievably broad bandwidth. About a million times more data flows to our brains by means of our senses than we could ever grasp consciously. More…

The private I? Me and my home

17 June 2014 | Reviews

Photo: Avaimia ajattomiin suomalaisiin sisustuksiin / Jaanis Kerkis

Art Nouveau with a modern twist. Photo: Avaimia ajattomiin suomalaisiin sisustuksiin / Jaanis Kerkis

Avaimia ajattomiin suomalaisiin sisustuksiin
[Keys to timeless Finnish interiors]
Design: Hanni Koroma, text: Sami Sykkö, photographs: Jaanis Kerkis
Helsinki: Gummerus, 2014. 123 pp., ill.
ISBN 978-951-20-9507-0
€32.90, hardback
Katja Lindroos
MOMO. Koti elementissään
[MOMO. The home in its element]
Photography: Riikka Kantinkoski, Niclas Warius
Helsinki: Siltala, 2013. 154 pp., ill.
ISBN 978-952-234-164-8
€32.90, hardback
www.momokoti.fi (in Finnish only)

‘Interior decoration’ has become an extremely popular pastime in Finland – as elsewhere where the standard of living allows it.

Innumerable magazines and blogs keep churning out photos of rooms with large white, cushioned sofas, glossy white kitchen cabinets and white floors on which furniture seems to float forlornly. Walls are decorated with wooden or metallic letters forming words: love; home, sweet home. In the kitchen the bread bin bears the word BREAD. (Bookcases, with actual books, are rare.)

Why is it that in our age which worships ‘individuality’, trends rule? More…

Archive news!

11 May 2012 | This 'n' that

Books from Finland covers

We’re delighted to be able to announce that the selection of the material published on the web pages of  Books from Finland in the last phase of its existence as a printed journal, 1998–2008, is now available on this website.

The monthly archive selection has been extended back to 1998, and more than two dozen new contributor details have been added. Plus, any term you enter in the search box at the top right of the webpage will now look through everything we have online – not just what has been published since we went digital in 2009. So if you vaguely remember a piece about xx, or just want to play games by seeing how often we’ve featured yy, just enter your term in the search box and away you go.

This is just the first step in our bigger project of digitising a broad selection of pieces from Books from Finland‘s history, from 1976 (when it began to appear as a quarterly journal) onwards. The Books from Finland archive – 132 printed issues were published from 1976 to 2008, featuring hundreds of authors – represents an unparalleled treasure trove of Finnish literature and literary debate in English, and we can’t wait to get as much as we can online.

It is a long, slow process, so don’t hold your breath… But as we add new pieces we’ll be flagging them up and drawing them to your attention, from classics to some real period pieces, sometimes with new introductions by contemporary writers.

Watch this space – please remember, good things are worth waiting for!

Second nature

15 February 2010 | Articles, Non-fiction

World Wide Web pictogramWe hear a lot about how the internet is going to transform the reading and the marketing of books. But what about the act of writing? Teemu Manninen reports from the frontline of a new generation of authors for whom life has always been digital

When we think of the future of publishing in these times of electronic reading devices, audiobooks, and the internet, when it seems as if the whole material being of literature is about to be transformed, we may ask how the marketing of books will change.

What happens when publishing goes online? How will authors cope with the new culture of the internet? More…

The joy of work

24 October 2011 | Fiction, Prose

Short prose from Sivullisia (‘Outsiders’, Like, 2011). Introduction by Teppo Kulmala

Since I’ve been unemployed, I started a blog called Outsiders. It soon came to serve as work, and I became dependent on its benefits. Although describing being an outsider helped to anaesthetise me, and verbalising all of my afternoons didn’t even take up all my time, the feedback that came in was reward enough. I wouldn’t have taken any other reimbursement anyway because of the restrictions set on recipients of government benefits. Increasingly frequently I found myself longing for more. Even a short blog comment about being an outsider felt even truer than what I with my self-employed, jobless person’s competence was able to achieve in relation to being sidelined as an unemployed person, regardless of what kind of manager I had been in my previous life. When asking for more accounts of other people’s well-being, I wanted them to use their own names. I justified this because I did not want to read lies, which often come from and lead to chatter in cafés and on the web. Apart from the pure enjoyment of being present, using one’s own name – even in wrong-headed topics or notions – makes it easier to approach the harsh laws of the working world. When one knows that by using one’s own signature one is dragging one’s family into the mire, including those who have gone before and those yet to come, one is able to blaze trails along which one can outflank the passive to activate another, equally unemployed. I did not place any further requirements on the other commenters besides first name and surname, as the rules had been drawn up by professionals in their own field. The regulator’s work also requires skill, if not a tremendous craving, for damming up another flood of text so that one’s own advantages do not have a chance to dry up. To facilitate reading for myself and others, I introduced only a couple of restrictions, which I imagined that I, too, would be able to adhere to. Only one side of a sheet of A4 was to be used – that is, one page – and what people wrote had to be true. Truth, beauty and quality ensured that everyone would begin what they had to say by writing about their current work. More stories, anecdotes, even poems piled up than the law permits me to read – much less compile – during working hours. For this book I have selected only 157 stories from the Greater Helsinki area for the sake of efficiency. The faster you can read the work, the less time it will distract you from your main job. I chose to limit things to the capital area so that the stories about well-being from individuals linked to this place would seem to form a more integral work, or document at least, about what was happening in the Big H, the centre of the nation, at the start of the millennium. I will publish the tales of work from beyond the outer ring road at some later stage, if I manage to come to an agreement with the writers concerning intellectual property rights. More…

Dear Reader!

13 January 2011 | This 'n' that

Reader in Papua New Guinea

Reading Books from Finland here, there and... Photo: Google Analytics

2011 is well underway, and it’s back to business – reporting on good books from Finland, that is!

The new year also marks the beginning of our third year online: we are very pleased to note that last year visits to this site increased by 187 per cent compared to 2009!

Our foreign readers hail from a total of 149 countries, although the majority are in the United States and the United Kingdom – with a surprisingly large number of neighbourly visits from readers in Finland.

There are some countries where only one reader has taken a look at Books from Finland last year; greetings to our own readers in Honduras and Papua New Guinea…. But, on the other hand, readership in Belarus has grown by 2.400 per cent, from just one in 2009 to a grand total of 25!

We’ve been very glad to have your online feedback, which prompted us to think that since we haven’t done a reader survey for a longish time, we might take the opportunity to run another one now – so we’ll be quizzing you about your views of the contents of the journal on this page soon.

We hope to offer you more that is diverting, entertaining and thought-provoking this year than ever before. Remember, you can also keep abreast of what’s going on on the Books from Finland website by subscribing to our RSS and e-mail delivery services (and we’re on Facebook, too).

Happy new year, and good reading!

The editors
Soila Lehtonen (Helsinki)
Hildi Hawkins (London)

Contact

11 January 2009 |

The Books from Finland online journal ceased operation on 1 July 2015, and no new articles will be published on the site. A comprehensive online archive is available for readers to access.

Brief extracts from Books from Finland may be quoted, provided that the source is cited.
If you wish to use longer extracts, please contact .
Also use that contact address to report any technical issues on the site, bad links, etc.

Becoming father and daughter

31 December 1990 | Archives online, Fiction, Prose

A father kidnaps his 10-year-old daughter and flees to the western extremity of Europe, to Ireland, to begin a new life under new names. In the following extract, the girl is in a state of shock after witnessing an event organised by a religious sect in which animals are driven over a cliff to their death. The year 2000 approaches, and with it clarification of the relationship between father and daughter. An extract from Olli Jalonen’s novel Isäksi ja tyttäreksi (‘Becoming father and daughter’). Introduction by Erkka Lehtola

He begins leading his daughter back the way they came, along the hillside and the lip of the precipice.

The blare of the Legion’s display carries far, till finally the voices are scrambled in the bluster of the wind. The electricity crackles in the loudspeakers, and the thundersheets rumble out to the audience. ‘Be silent!’ come the roars from the plat­ form: ‘And look at each other! Each is fearfully following his way, each is a venue of good and evil, each is inscribed with God’s name!’ More…

Words of feeling

31 March 2002 | Fiction, poetry

Poems from Vain tahallaan voi rakastaa (‘You can only love deliberately’, WSOY, 2001)

The musicians of Bremen (Self-portrait as a five animals)

People say man’s above all the other beasts.
I decided to prove that – and first turned poet
and then painfully became a flying horse, celebrating its freedom
on great shivering brawn. They captured me and put me to pulling
loads, and, seeing I endured everything docilely, they said,
He’s like the Giant Atlas, or Hanuman, the upholder of the world.
And they whipped me and sat on my back and finally
buried me alive. I became a pig and gorged my bellyful and my senses full
and it horrified people, who said: He’s a disease, an epidemic, Death itself.
And they cut my ears and blinded me and sliced my belly in two.
And I turned into a dog and learned everything I was taught and they said,
He’s completely without a will, like the angels, like an ascetic, and a prophet.
And they drove me out to wander the streets and the wildernesses. And in the desert
I turned into a tiger and people shouted in terror
What on earth
has God done – look, he’s Satan himself. And they shot me
from an elephant’s back. And I died into a cock and people woke up and shouted,
The healer of the world! And whenever I sing, because I only sing untold-to,
People wring my neck. More…

Home and abroad

31 December 1998 | Archives online, Authors, Reviews

The short stories in Irti (‘Away’), a first collection by Sari Vuoristo (born 1964), are often set on the beach, at sea or even in the water. The characters include ship passengers, rowers, swimmers, sun-bathers, drowning people and fish.

Vuoristo lives in the Kallio district of Helsinki, high above the city, with a clear view of the flashing lighthouse on the Suomenlinna fortress island and the ships departing for Sweden and Estonia. ‘The sea before me,’ she says, ‘perhaps it’s some classic kind of longing for freedom.’ The short stories describe states of disengagement. ‘If there is some unifying idea, then it is the realisation that it is possible to disengage from unsatisfactory situations, or to let the past go.’ More…

Brighter than darkness

30 June 2002 | Archives online, Fiction, Prose

An extract from the novel Eksyneet (‘The lost’, WSOY, 2001). Interview by Markus Määttänen

It was a white tiled wall. Too white. Sterile. He wondered how long he had been looking at it. In any case long enough to have forgotten it was a wall. It had changed into a vacuum opening up before him and then shrunk into a tunnel through whose irresistible suction he had hurtled toward the painful images of the past. The past. Yesterday. Almost yesterday. He had stared at the nocturnal entrance, clearly divided in two by the street lamps, and not just that, but now saw only a lifeless and, in its lifelessness, repellant wall. He sighed, rubbed his numb face, pushed himself off the floor and stood up.

More…

Once upon a time

27 February 2014 | Children's books, Fiction

apinaStories from Kirahviäiti ja muita hölmöjä aikuisia (‘The giraffe mummy and other silly adults’, Teos, 2013), illustrated by Martina Matlovičová. Interview of Alexandra Salmela by Anna-Leena Ekroos

The monkey princess

Adalmiina’s life was not an easy one. Her parents decided to prepare her for her career as a princess when she was a little girl: when Adalmiina was three she was sent to ballet school, at four she started taking lute lessons and at five she went on a course in magic-mirror gazing.

When Adalmiina turned six, she received a giant suitcase full of princess clothes and shoes.

‘Put them on, darling, we want to see you in all your lovely beauty!’ her mother sparkled, waving a muslin veil.

‘I want to go to the jungle!’ Adalmiina demanded. ‘Without any clothes!’

‘Will we have to force you to dress in all your glory?’ her parents snapped.

‘You’ll have to catch me first!’ Adalmiina announced, running into the garden. More…

Christel Rönns: Det vidunderliga ägget [A most extraordinary egg]

24 January 2013 | Mini reviews, Reviews

Det vidunderliga ägget
[A most extraordinary egg]
Kuvitus [Ill. by]: Christel Rönns
Helsingfors: Söderströms / Stockholm: Bonnier Carlsen Bokförlag, 2012. 32 p., ill.
ISBN 978-91-638-6857-3
€16.90, hardback
Finnish edition:
Perin erikoinen muna
Suom. [Translated by] Mirjam Ilvas
Helsinki: Tammi, 2012. 30 p., ill.
ISBN 978-951-523-183-3
€15.90, hardback

This is the third work that the graphic designer and illustrator Christel Rönns (born 1960) has written in her own right. With her relaxed and humorous illustration style, Rönns has provided the visual component of some 60 children’s books. This story portrays a family – parents, two little girls and a dog (the author has dedicated her book to the memory of her hovawart dog Freja who died at 14). One summer’s day they find a large egg on the beach and bring it home. But the egg, dropped by accident, reveals a little four-legged creature: named Koi-Koi, it turns out to be delightfully friendly and playful. Nobody actually knows what it is – not even a professor of zoology – but it eats and grows to an enormous size, so the house becomes very cramped (and Koi-Koi’s massive farts send the family running…). But then Koi-Koi begins to disappear at night, and one day he doesn’t come back. Missing a lost pet is a new feeling for the girls (their parents must be secretly relieved, as must the dog!). The story is both funny and gently melancholy, the illustrations detailed and humorous. The book was awarded the Finlandia Junior Prize in 2012.

Pop song lyrics

14 June 2012 | Fiction, Prose

A ‘short special’: a previously unpublished text (written in the 1960s) from Luonnonkierto (‘Nature’s circle’, Siltala, 2012). Introduction by Jarmo Papinniemi

The pop song is a wide, mysterious world. It is like an ocean. Like a snow-covered desert. Like a rose garden. Like a perfume factory. The pop song is as mysterious as spring. The pop song is as whimsical as the restroom of the city hotel in Samarkand. The pop song is as coarse as your father’s eldest brother. Pop songs snag everyone, especially the young and the old. The best pop songs are foreign, because the words make no sense. Pop stars rise into the sky. Lovely young women step into the arena smelling of perfume and sing about love or tell playful stories about animals or nursery rooms. And then on the other end of life the stars go out and start to look for a place to be buried. But before dying they drone on in their gruff voices about the temptations of the big city, and love, which in a certain sense tortured and wore out those concerned…

Up here in Finland, we write and set pop songs to music as well. But I have to say that they aren’t any good. We also translate and water down a lot of foreign hits as well. Well, of course they’re all popular and people hum them in parishes in the city and in the country, but from a critical perspective they stink. Usually the weak point of a pop song is its execrable lyrics. More…

Original Inhabitant

31 December 1995 | Archives online, Fiction, poetry

Poems from Kuka puhuu (‘Who’s speaking’, Otava, 1994). Introduction by Tero Liukkonen

They lie in the flurrying snow, languid as a naked woman taking a shower,
the mountains, their luscious thighs ajar; under snow-white skin,
confident rib-tongues curve down to the gully
where a lone skier slides and struggles in unbroken snow

A dense stand of spruce grows from her thighs, moonlight
shimmers on her flank, her hair is green

A hundred miles long, face hidden under the covers, out of the smoke
droplets emerge

slow is her breath in the wind, waiting for spring, under the snow

No one can conquer that vision, move it, bury it,
stitch it shut

she has come without being invited, living rooms grow inside her,
mice rub their whiskers in her hiding places,
obedient, the sun sets behind her, opens the dark door More…