Search results for "aulikki oksanen"
Encounters with a language
12 December 2014 | Articles, Non-fiction
Mistranslation: illustration by Sminthopsis84/Wikimedia
Mother tongue: not Finnish. How do people become interested enough in the Finnish language in order to become translators? In the olden days some might have been greatly inspired by the music Sibelius (as were the eminent British translators of Finnish, David Barrett or Herbert Lomas, for example, back in the 1950s and 1960s). We asked contemporary translators to reminisce on how they in turn have become infatuated enough with Finnish to start studying and translating this small, somewhat eccentric northern language. Three translators into English, one into French, German and Latvian tell us why
Government Prize for Translation 2011
24 November 2011 | In the news
María Martzoúkou. Photo: Charlotta Boucht
The Finnish Government Prize for Translation of Finnish Literature of 2011 – worth € 10,000 – was awarded to the Greek translator and linguist María Martzoúkou.
Martzoúkou (born 1958), who lives in Athens, where she works for the Finnish Institute, has studied Finnish language and literature as well as ancient Greek at the Helsinki University, where she has also taught modern Greek. She was the first Greek translator to publish translations of the Finnish epic, the Kalevala: the first edition, containing ten runes, appeared in 1992, the second, containing ten more, in 2004.
‘Saarikoski was the beginning,’ she says; she became interested in modern Finnish poetry, in particular in the poems of Pentti Saarikoski (1937–1983). As Saarikoski also translated Greek literature into Finnish, Martzoúkou found herself doubly interested in his works.
Later she has translated poetry by, among others, Tua Forsström, Paavo Haavikko, Riina Katajavuori, Arto Melleri, Annukka Peura, Pentti Saaritsa, Kirsti Simonsuuri and Caj Westerberg.
Among the Finnish novelists Martzoúkou has translated are Mika Waltari (five novels; the sixth, Turms kuolematon, The Etruscan, is in the printing press), Väinö Linna (Tuntematon sotilas, The Unknown Soldier) and Sofi Oksanen (Puhdistus, Purge).
María Martzoúkou received her award in Helsinki on 22 November from the minister of culture and sports, Paavo Arhinmäki. Thanking Martzoúkou for the work she has done for Finnish fiction, he pointed out that The Finnish Institute in Athens will soon publish a book entitled Kreikka ja Suomen talvisota (‘Greece and the Finnish Winter War’), a study of the relations of Finland and Greece and the news of the Winter War (1939–1940) in the Greek press, and it contains articles by Martzoúkou.
The prize has been awarded – now for the 37th time – by the Ministry of Education and Culture since 1975 on the basis of a recommendation from FILI – Finnish Literature Exchange.
Selling best
15 October 2009 | This 'n' that
Appearing at number two on the Finnish fiction best-seller in August was part 12 of Juba Tuomola’s Viivi & Wagner comic-strip series, entitled Kuinka kasvissyöjä kesytetään (‘The taming of the vegetarian’, Arktinen Banaani).
With its hero, the (literal) chauvinist pig Wagner and his (human) girlfriend Viivi, the series has long been immensely popular in Finland but, unaccountably, the mixed-species duo hasn’t yet made its international breakthrough… As we wait for Viivi and Wagner to conquer the world, here’s a sneak preview (sorry, no English subtitles on the web page of the Helsingin Sanomat newspaper where the daily strip is reprinted!). More…
Translation prize
27 August 2010 | In the news
Rami Saari. Photo: Charlotta Boucht
This year the Finnish Government Prize for Translation of Finnish Literature – worth € 10,000 – was awarded to the poet, translator, linguist and literary critic Rami Saari who translates into Hebrew.
Saari (born 1963) has studied and taught Hebrew, Semitic languages and Finno-Ugric Language Studies at universities in Helsinki, Budapest and Jerusalem. He has been the editor of the Israeli section of the international poetry website poetryinternational.org since 2002 and has edited a book series for Ha-kibbutz hameuchad which publishes predominantly Nordic and Baltic literature.
Saari, who has also published seven collections of his own poetry, now lives in Athens. He has also translated Albanian, Spanish, Catalan, Greek, Portuguese, Hungarian and Estonian fiction.
Among the Finnish writers Saari has translated are Daniel Katz, Eeva Kilpi, Eino Leino, Veijo Meri, Timo K. Mukka, Sofi Oksanen, Arto Paasilinna, Raija Siekkinen, Eeva Tikka, Sirkka Turkka and Mika Waltari.
Rami Saari received his award in Helsinki on 25 August from the minister of culture and sports, Stefan Wallin. The prize has been awarded by the Ministry of Education and Culture since 1975 on the basis of a recommendation from FILI – Finnish Literature Exchange.
The books that sold
11 March 2011 | In the news
-Today we're off to the Middle Ages Fair. – Oh, right. - Welcome! I'm Knight Orgulf. – I'm a noblewoman. -Who are you? – The plague. *From Fingerpori by Pertti Jarla
Among the ten best-selling Finnish fiction books in 2010, according statistics compiled by the Booksellers’ Association of Finland, were three crime novels.
Number one on the list was the latest thriller by Ilkka Remes, Shokkiaalto (‘Shock wave‘, WSOY). It sold 72,600 copies. Second came a new family novel Totta (‘True’, Otava) by Riikka Pulkkinen, 59,100 copies.
Number three was a new thriller by Reijo Mäki (Kolmijalkainen mies, ‘The three-legged man’, Otava), and a new police novel by Matti Yrjänä Joensuu, Harjunpää ja rautahuone (‘Harjunpää and the iron room’, Otava), was number six.
The Finlandia Fiction Prize winner 2010, Nenäpäivä (‘Nose day’, Teos) by Mikko Rimminen, sold almost 54,000 copies and was fourth on the list. Sofi Oksanen’s record-breaking, prize-winning Puhdistus (Purge, WSOY; first published in 2008) was still in fifth place, with 52,000 copies sold.
Among translated fiction books were, as usual, names like Patricia Cornwell, Dan Brown and Liza Marklund.
In non-fiction, the weather, fickle and fierce, seems to be a subject of endless interest to Finns; the list was topped by Sääpäiväkirja 2011 (‘Weather book 2011’, Otava), with a whopping 140,000 copies. Number two was the Guinness World Records 2011, but with just 43,000 copies. Books on wine, cookery and garden were popular. A book on Finnish history after the civil war, Vihan ja rakkauden liekit (‘Flames of hate and love’, Otava) by Sirpa Kähkönen, made it to number 8 on the list.
The Finnish children’s books best-sellers’ list was topped by the latest picture book by Mauri Kunnas, Hurja-Harri ja pullon henki (‘Wild Harry and the genie’, Otava), selling almost 66,000 copies. As usual, Walt Disney ruled the roost in the translated fiction list.
The Finnish comics list was dominated by Pertti Jarla (his Fingerpori series books sold more than 70,000 copies, almost as much as Remes’ Shokkiaalto!) and Juba Tuomola (Viivi and Wagner series; both mostly published by Arktinen Banaani): between them, they grabbed 14 places out of 20!
In the shadow of the cathedral
6 November 2014 | Authors, Reviews
Satu Taskinen. Photo: Heini Lehväslaiho
In recent years the Finnish novel has been refreshed by central European tones in the work of authors including Kristina Carlson, Katri Lipson and Sofi Oksanen. Among these reforming powers is Satu Taskinen, whose first novel, Täydellinen paisti (‘The perfect roast’, 2011), won the Helsingin Sanomat prize for a debut work.
The novel, set over a day and describing a Viennese family’s All Saints’ Day lunch and, in particular, its demanding preparations, aroused admiration, but also wonderment at its slow, thoughtful monologue, in which absurdist humour and irony mixed with a melancholy atmosphere.
Satu Taskinen, who studied philosophy and German philology at Helsinki University, has lived and worked in Vienna for a long time. Her second novel, Katedraali (‘The cathedral’), is also a one-day novel describing a Viennese family. More…
Helsinki Book Fair 2011
2 November 2011 | In the news
President Toomas Hendrik Ilves at the Book Fair: Viro is Estonia in Finnish. Photo: Kimmo Brandt/The Finnish Fair Corporation
The Helsinki Book Fair, held from 27 to 30 October, attracted more visitors than ever before: 81,000 people came to browse and buy books at the stands of nearly 300 exhibitors and to meet more than a thousand writers and performers at almost 700 events.
The Music Fair, the Wine, Food and Good Living event and the sales exhibition of contemporary art, ArtForum, held at the same time at Helsinki’s Exhibition and Convention Centre, expanded the selection of events and – a significant synergetic advantage, of course – shopping facilities. Twenty-eight per cent of the visitors thought this Book Fair was better than the previous one held in 2010.
According to a poll conducted among three hundred visitors, 21 per cent had read an electronic book while only 6 per cent had an e-book reader of their own. Twenty-five per cent did not believe that e-books will exceed the popularity of printed books, and only three per cent believed that e-books would win the competition.
Estonia was the theme country this time. President Toomas Hendrik Ilves of the Republic of Estonia noted in his speech at the opening ceremony: ‘As we know well from the fate of many of our kindred Finno-Ugric languages, not writing could truly mean a slow national demise. So publish or perish has special meaning here. Without a literary culture, we would simply not exist and we have known this for many generations, since the Finnish and Estonian national epics Kalevala and Kalevipoeg. – During the last decade, more original literature and translations have been published in Estonia than ever before. And we need only access the Internet to glimpse the volume of text that is not printed – it is even larger than the printed corpus. We live in an era of flood, not drought, and thus it is no wonder that as a discerning people, we do not want to keep our ideas and wisdom to ourselves but try to share and distribute them more widely. The idea is not to try to conquer the world but simply, with our own words, to be a full participant in global literary culture, and in the intellectual history and future of humankind.’
Finland meets Estonia: authors Sofi Oksanen and Viivi Luik in discussion. Photo: Kimmo Brandt/The Finnish Fair Corporation
Happy birthday to us!
13 February 2014 | Letter from the Editors
Picture: Wikipedia
It’s been five years since Books from Finland went online, and we’re celebrating with a little bit of good news.
In the past year, the number of visits to the Books from Finland website has grown by 11 per cent. The number of US and UK readers grew by 29 per cent, while the number of readers in Germany – stimulated perhaps by the publicity Finnish literature is attracting as a result of its Guest Country status at this year’s Frankfurt Book Fair – increased by an astonishing 59 per cent.
We’re chuffed, to put it mildly – and very thankful to you, dear readers, old and new. More…
The books that sold in May
10 June 2011 | In the news
In May the Bookseller’s Association of Finland’s list of the best-selling Finnish fiction was still topped – as it was in March – by a collection of poems: Heli Laaksonen’s Peippo vei (‘The chaffinch took it’, Otava) is written in a local dialect spoken in south-western Finland. See our introduction to Laaksonen’s new poems.
Pirjo Rissanen’s novel Äitienpäivä (‘Mother’s day’, Gummerus) was number two and Seppo Jokinen’s crime story, Ajomies (‘The driver’, Pulitzer/Crime Time) number three.
Tuomas Kyrö’s short prose about a grumpy old man resisting all sorts of contemporary fads, Mielensäpahoittaja (‘Taking offence’, WSOY), was number four.
Sofi Oksanen’s hugely successful novel about women and Estonian history, Puhdistus (WSOY, 2008) – English version: Purge –, still occupies number five on the list.
The most popular books for children and young people in May was the Finnish translation of a classic, Saint-Exupéry’s Le Petit Prince. A nature book for children, Suomen lasten luontokirja by Lasse J. Laine and Iiris Kalliola, was number two, and the cartoon kids Tatu and Patu occupied the third place (both published by Otava): Tatun ja Patun Suomi (‘Tatu and Patu’s Finland’), written and illustrated by Aino Havukainen and Sami Toivonen.
The translated fiction list was – as in March – topped by Maalattujen luolien maa (The Land of Painted Caves), by Jean M. Untinen-Auel, an American writer with Finnish roots. The novel is set in the late Paleolithic era.
On the non-fiction list there were books, in particular, on cooking, gardening, birds – and diets.
Summer in the bookshop
11 August 2011 | In the news
Not a surprise: in June and July Finns liked to read thrillers, both Finnish and foreign, as the Bookseller’s Association of Finland’s list of the best-selling Finnish fiction shows. Three out of top five on the Finnish fiction list were crime stories; number one was Mustasiipi (‘Blackwing‘, Otava), a thriller by Reijo Mäki.
Tuomas Kyrö’s book of short prose about a grumpy old man resisting all sorts of contemporary fads, Mielensäpahoittaja (‘Taking offence’, WSOY), was stubborn enough to stick to number four (as in May).
Sofi Oksanen’s hugely successful novel about women and Estonian history, Puhdistus (2008), English version: Purge, keeps going strong: it is still number six on the list.
On the non-fiction list there were books, among others, on cooking, gardening and birds – in summer Finns like to grill barbecues while listening to birdsong and reading about diets, trekking and handicrafts…
Katri Lipson: Jäätelökauppias [The ice-cream vendor]
25 October 2012 | Mini reviews, Reviews
Jäätelökauppias
[The ice-cream vendor]
Helsinki: Tammi, 2012. 300 p.
ISBN 978-951-31-6868-1
€ 36.20, hardback
The Finnish novel of the 2000s has been successfully set in other cultures. Like Kristina Carlson and Sofi Oksanen, Katri Lipson went her own way as an author in her award-winning debut novel Kosmonautti (‘Cosmonaut’, 2008), which was set in the Soviet Union of the 1980s. In her second novel Lipson (born 1965), who works as a doctor in Helsinki, portrays life in post-war Czechoslovakia. The novel begins with the making of a film. The director wants to work without a script, which is only in her head. The filming proceeds chronologically, so that the actors will not anticipate what happens to the characters in the future. The film tells the story of a man and a woman’s flight from danger in 1942. Although they do not know each other, they pretend to be a married couple and hide in the countryside. What will be their fate during the war and afterwards is left to the reader; the characters can be combined with those appearing in the novel’s later stages, in the 1960s and even the 1980s. Lipson’s technique boldly breaks with the supremacy of narrative and calls into question the construction of historical truth.
Translated by David McDuff
How much did Finland read?
30 January 2014 | In the news
The book year 2013 showed an overall decrease – again: now for the fifth time – in book sales: 2.3 per cent less than in 2012. Fiction for adults and children as well as non-fiction sold 3–5 per cent less, whereas textbooks sold 4 per cent more, as did paperbacks, 2 per cent. The results were published by the Finnish Book Publishers’ Association on 28 January.
The overall best-seller on the Finnish fiction list in 2013 was Me, Keisarinna (‘We, tsarina’, Otava), a novel about Catherine the Great by Laila Hirvisaari. Hirvisaari is a queen of editions with her historical novels mainly focusing on women’s lives and Karelia: her 40 novels have sold four million copies.
However, her latest book sold less well than usual, with 62,800 copies. This was much less than the two best-selling novels of 2012: both the Finlandia Prize winner, Is, Jää (‘Ice’) by Ulla-Lena Lundberg, and the latest book by Sofi Oksanen, Kun kyyhkyset katosivat (‘When the doves disappeared’), sold more than 100,000 copies.
The winner of the 2013 Finlandia Prize for Fiction, Riikka Pelo’s Jokapäiväinen elämämme (‘Our everyday life’, Teos) sold 45,300 copies and was at fourth place on the list. Pauliina Rauhala’s first novel, Taivaslaulu (‘Heaven song’, Gummerus), about the problems of a young couple within a religious revivalist movement that bans family planning was, slightly surprisingly, number nine with almost 30,000 copies.
The best-selling translated fiction list was – not surprisingly – dominated by crime literature: number one was Dan Brown’s Inferno, with 60,400 copies.
Number one on the non-fiction list was, also not surprisingly, Guinness World Records with 35,700 copies. Next came a biography of Nokia man Jorma Ollila. The winner of the Finlandia Prize for Non-Fiction, Murtuneet mielet (‘Broken minds’, WSOY), sold 22,600 copies and was number seven on the list.
Eight books by the illustrator and comics writer Mauri Kunnas featured on the list of best-selling books for children and young people, with 105,000 copies sold. At 19th place was an Angry Birds book by Rovio Enterntainment. The winner of the Finlandia Junior Prize, Poika joka menetti muistinsa (‘The boy who lost his memory’, Otava), was at fifth place.
Kunnas was also number one on the Finnish comic books list – with his version of a 1960s rock band suspiciously reminiscent of the Rolling Stones – which added 12,400 copies to the figure of 105,000.
The best-selling e-book turned was a Fingerpori series comic book by Pertti Jarla: 13,700 copies. The sales of e-books are still very modest in Finland, despite the fact that the number of ten best-selling e-books, 87,000, grew from 2012 by 35,000 copies.
The cold fact is that Finns are buying fewer printed books. What can be done? Writing and publishing better and/or more interesting books and selling them more efficiently? Or is this just something we will have to accept in an era when books will have less and less significance in our lives?
Springtime in Paris: Nordic writers on a French visit
25 March 2011 | In the news
With an icy northerly wind at my back I took off from Helsinki and landed in Paris, where it was springtime and the cherry trees were in bloom. The aim of my trip was to join eleven translators from Finnish into all the main Nordic languages in examining the trickiest corners of the Finnish language and discussing the actual working conditions of literary translators, as well as the possibilities for Nordic literature to assert itself in the world.
I was also going to meet with and listen to more than sixty writers from all the Nordic countries. Why did I have to go to Paris to do it? Because this was where Bokskogen, the Forest of Books, had grown.
At the Salon du Livre held in Paris from 18 to 21 March, at which the Nordic countries were the guests of honour, FILI (the Finnish Literature Exchange) was in charge of coordinating the Nordic pavilion, some 400 square metres in area.
The airy Scandinavian Forest of Books was filled with the murmur of Parisians in search of something Nordic to read and intent on having their newly purchased books signed by authors like Sofi Oksanen, Kari Hotakainen, Matti Rönkä, Monika Fagerholm, Katarina Gäddnäs, Seita Parkkola, Aira Savisaari, Johanna Sinisalo, Aino Havukainen and Sami Toivonen.
Before the official inauguration by France’s Minister of Culture Frédéric Mittérand the programmes had already been underway for four days. Just over a hundred professional people – publishers, translators and other cultural figures and institutions from across the Nordic countries – took part in various workshops to discuss common focal points and share experiences and best practices with each other and their French colleagues.
One of the major events was the Cultural Forum, a collaboration between FILI, the Nordic Council of Ministers and the Finnish presidency of the Nordic Council of Ministers. Its theme was the training of translators, and also the book industry in a global context.
In early March a dozen French journalists and booksellers toured Helsinki and Tammisaari (Ekenäs) in order to meet Finnish authors and interview them as a prelude to the big show. As a result Nordic literature also made its presence felt in France’s press and bookstores.
Translated by David McDuff
New from the archives
13 February 2015 | This 'n' that
Daniel Katz. Photo: Veikko Somerpuro/WSOY.
In the midst of today’s richly cosmopolitan literary scene – we’re thinking of blockbusters like Sofi Oksanen’s Puhdistus (Purge, 2008), or Patjim Statovci’s Kissani Jugoslavia (‘My cat Yugoslavia’, 2014) (linkit) – it’s hard to imagine the colour and excitement represented by the work of Daniel Katz (born 1938) from the publication of his first book, Kun isoisä Suomeen hiihti (‘When grandfather skied to Finland’, 1969) onward. Characterised by dark humour, gentle irony, a wild imagination and a profound world view, Katz’s writing is informed but never defined by his outsider status as a Jew writing in Finnish.
Today’s story, taken from Katz’s book Talo Sleesiassa (‘A house in Silesia’) describes the journey taken by Erwin, a German Jew, to visit the home he lived in before the Second World War. Katz has a fine grasp of the ironies of history:
‘We arrived at the city of his birth, which currently is referred to as The City, for the sake of simplicity and tact: the town has – used to have, rather – two names, a German and a Polish, and one or the other party might take offence. My brother-in-law had in fact been born in a city whose name began with a B, though now it began with a W. Evolution of this kind is called phonetic history.’
The extract is accompanied by an interview of Daniel Katz by Daniel Katz.
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The digitisation of Books from Finland continues apace, with a total of 356 articles and book extracts made available online so far. Each week, we bring a newly digitised text to your attention.
The books that sold
21 February 2013 | In the news
The winner of the Finlandia Prize for Fiction 2012, Ulla-Lena Lundberg’s novel Is (‘Ice’), also turned out to be the winner of the ‘Shadow Finlandia’ prize of the Academic Bookstore in Helsinki. The novel, set on the Åland islands in postwar years, was simultaneously published in Finnish as Jää. This book trade prize is awarded to the best-selling title of the six finalists on the Finlandia Prize list.
The best-selling Finnish debut work in the Academic Bookstore was Nälkävuosi (‘The hunger year’, Siltala) by Aki Ollikainen.
Also number one on the December list of best-selling Finnish fiction titles compiled by the Finnish Booksellers’ Association was Lundberg’s novel – in its Finnish translation; the original Swedish-language book came number ten on the same list.
Number two was Sofi Oksanen’s new novel set in Estonia, Kun kyyhkyset katosivat (‘When the doves disappeared’, Like), and number three the hilarious graphic story, Piitles. Tarina erään rockbändin alkutaipaleesta (‘Beatles. The story of the first stage of a rock band’, Otava), by Mauri Kunnas who has written and illustrated dozens of children’s books.
In first and second place on the translated fiction list were J.K. Rowling and J.R.R. Tolkien (The Casual Vacancy, The Hobbit or There and Back Again).
Children chose Finnish books in December – or rather their parents did, buying them as Christmas presents – for the first four places were taken by popular writers such as Sinikka and Tiina Nopola, Aino Havukainen & Sami Toivonen, Mauri Kunnas (Piitles is for mums and dads, not kids!) and Timo Parvela.
On the non-fiction list there was a selection of world record books, cookbooks and biographies – not unusual, considering the season – but number one was Kaiken käsikirja (‘Handbook of everything’) by astronomer and popular writer Esko Valtaoja. A present for all occasions, then?