Books from Finland - A literary journal of writing from and about Finland.

Jäätelökauppias
[The ice-cream vendor]
Helsinki: Tammi, 2012. 300 p.
ISBN 978-951-31-6868-1
€ 36.20, hardback

The Finnish novel of the 2000s has been successfully set in other cultures. Like Kristina Carlson and Sofi Oksanen, Katri Lipson went her own way as an author in her award-winning debut novel Kosmonautti (‘Cosmonaut’, 2008), which was set in the Soviet Union of the 1980s. In her second novel Lipson (born 1965), who works as a doctor in Helsinki, portrays life in post-war Czechoslovakia. The novel begins with the making of a film. The director wants to work without a script, which is only in her head. The filming proceeds chronologically, so that the actors will not anticipate what happens to the characters in the future. The film tells the story of a man and a woman’s flight from danger in 1942. Although they do not know each other, they pretend to be a married couple and hide in the countryside. What will be their fate during the war and afterwards is left to the reader; the characters can be combined with those appearing in the novel’s later stages, in the 1960s and even the 1980s. Lipson’s technique boldly breaks with the supremacy of narrative and calls into question the construction of historical truth.
Translated by David McDuff

Kun kyyhkyset katosivat
[When the doves disappeared]
Helsinki: Like, 2012. 365 p.
ISBN 978-952-01078-19
€ 27.90, hardback

Four years after the huge national and international success of her third novel Puhdistus (Purge, 2008, now translated into 38 languages), Sofi Oksanen has published a new novel to the accompaniment of trumpets and drums – a launch cruise to Tallinn, Estonia, workshops and public readings. The Finnish film version of Puhdistus received its world premiere at the same time. Oksanen has earned her star status as a writer, but Kun kyyhkyset katosivat is not as good as its predecessor. The story of Estonian freedom fighter (‘Forest Brother’) Roland and his cousin Edgar, an opportunist who manoeuvres his way through the Nazi and Soviet occupations of Estonia from 1941 until the apparent liberalisation of the 1960s, is thin and fragmentary. The language and style are uneven and diffuse, while Edgar’s chameleon-like shifts of identity from pro-German sympathies through Siberia to complicity with the KGB deserve to be more carefully explored. While the book’s themes are unquestionably authentic and relevant, they don’t really blend together into a moving novel in the way that Puhdistus does.
Translated by David McDuff

Lolauppochner
[Lola upside down]
Helsinki: Schildts & Söderströms, 2012. 461 p.
ISBN 978-951-52-2997-7
€ 31, hardback

Lola ylösalaisin
Suomentanut [Translated into Finnish by]: Liisa Ryömä
Helsinki: Teos, 2012. 300 p.
ISBN 978-951-851-480-3
€28.40, hardback

Lolauppochner (‘Lola upside down’) is a more authentic crime novel than the same author’s Den amerikanska flickan (English translation: The American Girl, 2004) and Glitterscenen (The Glitter Scene, 2009), though they too wove their dense fiction around an old crime. Readers who are at ease in Fagerholm’s luxuriant wordscapes with their tragic teens, country bumpkins and summer visitors will still be able to find their way around the small community where Jana Marton, a teenage girl on the way to her job at the local store, discovers the corpse of a boy, a key player among the local gilded youth. The novel’s opening, and many sections that follow, are extremely effective, with sharp and lightning-swift characterisations and a fine intuition for both the fear and the excitement in the social circle where the murder turns up hidden connections like worms from the soil. But the novel is too long for its own good – somewhere towards the end it ceases to gain depth, and the gallery of characters starts to feel too big. All the same, this book is a must for Fagerholm’s readership at home and abroad. A bonus for locals – and attentive outsiders – is present in the outlines of the small seaside town of Ekenäs that can be glimpsed behind the text. They supply a kind of physical magic that rubs off on much else besides – characters, moods and sense of place.
Translated by David McDuff

Karatolla
Helsinki, Otava, 2012. 238 p.
ISBN 978-951-1-26469-9
€34.10, hardback

Karatolla is a Finnish dialect word for a bonfire that is lit at New Year or Easter. One of the main characters in Olli Jalonen’s new novel (his twenty-first publication to date) is an artist called Valo, ‘Light’. By the fires of his youth he has come to learn that the world is composed of nine basic elements: fire, smoke, light, earth, water, snow, ice, air, and time. At the beginning of the twenty-first century Valo and his colleague the architect Silla set out to construct a major European art work in which pyramids built of the above-mentioned elements are assembled in Prague, Brussels, Santiago de Compostela, Krakow, Reykjavik, Bergen, Helsinki, Avignon and Bologna respectively. In this novel Jalonen (born 1954) develops themes from his previous novel Yhdeksän pyramidia (‘Nine pyramids’), published in 2000: the events have moved forward ten years. When the project is completed, a nascent love affair between Light and Silla ends when Light falls victim to a fatal illness. Jalonen’s narrative is fascinating; the construction of pyramids, the cities in which they are constructed and the characters are portrayed with great skill, developing themes of artistry, honesty and the fragility of love. Much open space is left for the reader’s thoughts and imagination.
Translated by David McDuff