Prose
A day in the life
Issue 3/1996 | Archives online, Fiction, Prose
Extracts from the novel Drakarna över Helsingfors (‘Kites over Helsingfors’, Söderströms, 1996). Introduction by Jyrki Kiiskinen
It is December 1970, it is Friday afternoon and Helsingfors is shrouded in a damp, leaden-grey fog when Jacke Pettersson, trainee electrician at Mid-Nyland Vocational College, signs a receipt for his driving licence at Vallgård Police Station.
At home in the flat in Svenska Gården in Munkshöjden: the very next evening Jacke sneaks his hand down into his father’s, typesetter K-G. Pettersson’s, overcoat pocket. It is getting on for 9 o’clock and KG is sitting deeply submerged in his favourite armchair, staring concentratedly at the premiere of a new show.
Six out of forty
make it every week
sings a bright girl’s voice.
Then: the Official Supervisors and their solemn ‘Good evening’. And then: the blonde girl in her mini-dress and high boots, the glass holder with its plastic balls, the plastic balls with numbers on. More…
The pursuit of happiness
Issue 2/1996 | Archives online, Fiction, Prose
Extracts from the novella Ilo (‘Joy’, Helsinki Media, 1995)
‘The flower is a characteristic feature of the highest group of the plant kingdom – the flowering plants – and is the name given to the association or organs, more or less leaf-like in form, which are concerned with the production of the fruit or seed.’
Encyclopaedia Britannica, 1910
The encyclopedia made us happy. But what was happiness? That the encyclopedia did not say. You had to set out to look for it. Our exploratory party represented the highest achievements of the field: it would be difficult to find a more serious or committed group.
When we waved to the people cheering on the quay, we were overcome by a strange feeling. It was as if we had already arrived. I made the mistake of speaking my thought aloud.
‘It will all end in tears,’ remarked our welfare officer, Mrs Rose. The atmosphere was ruined. What a pity that our quick-witted Doctor Stratelli was not present at that moment! For it was he who solved the problem of happiness.
Correspondence
Issue 1/1996 | Archives online, Fiction, Prose
A short story from Resa med lätt bagage (‘Travelling light’, Schildts, 1984)
Dear Jansson san
I am a Japanese girl.
I am thirteen years and two months old.
I will be fourteen on the eighth of March.
I have a mother and two little sisters.
I have read everything that you have written.
When I have read it I read it again.
Then I think about snow and being allowed to be by myself.
Tokyo is a very big city.
I am learning English and I am a very diligent student.
I love you.
I dream of one day being as old as you and as wise.
I have a lot of dreams.
There is a Japanese poem called haiku.
I will send you a haiku.
It is about cherry-blossoms.
Do you live in a big forest?
Forgive me for writing to you.
I wish you health and long life.
Tamiko Atsumi More…
Plain sailing
Issue 1/1996 | Archives online, Fiction, Prose
An extract from Alastalon salissa (‘In Alastalo’s parlour’, 1933). Introduction by Kai Laitinen
A letter from the translator:
Dear Editors,
Reluctantly (I really have tried) I have been driven to conclude that Alastalon salissa is untranslatable, except perhaps by a fanatical Volter Kilpi enthusiast who is prepared to devote a lifetime to it. To mention only one of the difficulties, there is no English equivalent to the style of the Finnish ‘proverbs’ (real or imaginary) with which the main character Alastalo’s thoughts are so thickly larded. Add to this the richness and, yes, eccentricity, of Kilpi’s vocabulary, and the unfamiliarity of much of the subject-matter, centred as it is on the interests of a sea going community that hardly exists any longer, even on the islands, and you have a text that is full of pitfalls for the translator. As for the humour, I’m sorry to say that it depends so much on the idiom and presentation that it doesn’t come over at all. If I did any more, I’m afraid it would just have to be a laborious paraphrase, and I don’t think I’m capable of making it effective, or even readable, in English.
Apart from that, although I’m very grateful for your explanations of the many unfamiliar words and phrases, I’m very unwilling to commit myself to the translation of any of them on the basis of a mere ‘gloss’ (technical word): I need to know the associations, and possible sound-echoes, of every one of them before I can be sure of getting it right. And getting it right affects the rhythm of every sentence: it’s not just a matter of filling in blanks with ‘equivalents’ provided by someone else.
I’ve no objection to your using my version of the opening pages. If you decide to follow it with some kind of comment, do borrow, if you need to, from my remarks above, giving the translator’s point of view. Sorry to have failed you so badly.
Yours, David Barrett More…
The bully
Issue 1/1996 | Archives online, Fiction, Prose
A short story from Tulen jano (‘Thirst for fire’, Gummerus, 1995); power relations between doctor and patient in a situation where the past will not leave either alone
Nurmikallio, an apparently ordinary middle-aged man, came back again and again, and it seemed as if there would be no end to his story.
I listened to him patiently at first. Repeatedly he returned to the same subject. The form and emphases of the story changed, new memories emerged, but the gist was the same: he had failed in his life and believed that the root cause of his failure was a particular person, a childhood class-mate, a bully.
On the basis of his first visit I wrote a short character-sketch:
Intellectually average. Talkative, but by his own account solitary. Difficulties in human relationships, separated, no children. Electrician by profession, says he likes his work. Biggest problem obsessive attachment to childhood traumas.
And that’s all, I thought. But he was not to be so easily dismissed.
In the Metro
Issue 4/1995 | Archives online, Fiction, Prose
Extract from the collection of short stories Tidig tvekan (‘Early doubt’, 1938). Introduction by David McDuff
– Mademoiselle! You’re late this evening. Was there overtime again? I’ve put a newspaper aside for you. I saw you were in such a hurry in the morning that you didn’t have time to take it. The fashion page is in today, so I thought you’d like to see it. There’s nothing to thank me for, nothing at all. You see, I seem to have got a bit of a secret liking for you. One gradually learns to pick out all the people who come this way in the morning and go back again at night. And you, you see, I noticed you right from the very first day. You looked so frightened, and then you always smiled at me in such a friendly way. I got the idea that you were someone who wasn’t at home here and who was possibly using the underground in the morning rush hour for the first time. More…
Punishment and delight
Issue 4/1995 | Archives online, Fiction, Prose
Extracts from Pimeästä maasta (‘Out of the Land of Darkness’, Kirjayhtymä, 1995). Interview by Jukka Petäjä
‘A being far more powerful and wiser than ourselves made the mould at the beginning of time and set it up for us as a model in order that we might shape ourselves correctly,’ the teachers said. ‘The Prime Mover’s form, actions and thoughts we are unable to understand. The Prime Mover gave us the mould in order that we should not remain formless. To this extent it has made itself known to us, although we do not deserve anything from it. It did not make the mould of bog-iron, which would soon have rusted in the cellar, but of a much better material of which we know nothing, and need to know nothing. Our duty is to aspire to fill the perfect mould given to us perfectly. Most of us will never be able to do so, for we are worthless, formless, unclean messes who deserve, many times over, all the pain of fitting the mould.’
Ulthyraja Tharabereghist did not dare ask anything, but there was something she would have liked to know. How the Prime Mover had made the mould, at least, and where it had found the materials, and what the Mover had gone on to do and where it had gone when the mould was ready and in the possession of the villagers. Even illicit thoughts were said to damage one’s shape: to be visible in it, if one knew how to look, and, of course, to be felt in the pains of fitting the mould… More…
The last melody
Issue 3/1995 | Archives online, Fiction, Prose
Extracts from the novel Kadotettu puutarha (‘The lost garden’, WSOY, 1995). Introduction by Riina Katajavuori
Their sojourn at the villa extended into the autumn of 1944; the schools did not go back as usual on the first of September. Repair of the university buildings progressed rapidly; the work had begun immediately after the bombing. The Doctor went to town from time to time, but nothing bound the family to it, and he returned to his desk in the attic room and to his solitary walks by the lake. His heart troubled him from time to time. It did not like these walks, did not like exertion; but he had succeeded in concealing the matter from Elisabet. After one particular attack, he had secretly seen a doctor in town, and now, instead of camphor tablets, he always had those little buttons in his pocket, the breast pocket of his waistcoat. He swallowed one from time to time on these expeditions, a pain in his wrists and his eyes staring dimly at a clump of ferns that seemed to have become hazy, or a tree-top that seemed to be falling toward him. He did not wish Elisabet to know. Not this, in Elisabet’s world, not this, in air that was suffused with grief for their dead son Leo, with well controlled and beautifully expressed emotion, with concern for the remaining boy, who was there, on the frontier, with the burdensome and universal tragedy that filled the air as light filled it in daytime. More…
Solitude growing
Issue 2/1995 | Archives online, Fiction, Prose
Extract from Häiriö maisemassa (‘A disturbance in the landscape’, Otava, 1994). In this, her first novel, Raija Siekkinen – well-known for the fragile prose fof her short stories – continues her dissection of the soul with an account of the experience of a womanwho finds that many lives are being lived through her own
She was pregnant. After all these years, the woman finally found she was pregnant: it was as if the man had made a last attack to retain his hold on a country he had once conquered.
She let the days go by, the days of autumn, which night by night edged more shadow across the damp lawn. She looked at the man from a distance, not seeing him; her mind rehearsed what she knew about him. The man had two children from a previous marriage. The woman had not wanted the children to come here, and neither did their mother; that was, indeed, the only subject on which they agreed. The man went to visit his children; they never spoke about what happened on those occasions. More…
The summer of 1965
Issue 2/1995 | Archives online, Fiction, Prose
From Underbara kvinnor vid vatten (‘Wonderful Women by the Sea’, Söderströms, 1994; Finnish translation lhanat naiset rannalla, Otava, 1995). Introduction by Michel Ekman
The summer of 1965; this summer people go waterskiing. They go waterskiing behind the Lindberghs’ shining mahogany sportsboat, and from midsummer onwards they go water-skiing behind Gabbe’s outboard motorboat, an Evinrude bought second-hand from Robin Lindbergh. Now Bella and Rosa are skiing: Tupsu Lindbergh’s face is covered in freckles if you look at her close to, and it’s not particularly becoming, her fair hair is super-peroxided and she is as thin as a skeleton and everyone knows that it’s because she is so thin and ugly and not because she has a cold that she says she can’t take part in any watersports. There is something nervous about Tupsu Lindbergh. At Bella’s party at the beginning of the summer Tupsu Lindbergh sits on the white villa’s veranda, on the white villa’s lawn on a camping chair, on the white villa’s beach while Bella and Rosa go waterskiing and talk about Tupperware. Not Tupperware all the time, but Tupperware is the collective description. More…
The train
Issue 1/1995 | Archives online, Fiction, Prose
Extracts from the novel Koe (‘The experiment’; WSOY, 1994). Interview by Tuva Korrström
In the morning a wild rose tapped beseechingly at the window, the wind sighed in the shaft of the chimney, the entire house creaked, pregnant with so great a longing that they had to awaken.
And as soon as they began to speak to each other, the house settled.
‘I should like to see the train,’ Sari said.
‘Why?’
‘Because that is the reason why I am here.’
‘I didn’t plan it like that,’ Kari said. More…
The Earth is a snowball
Issue 1/1995 | Archives online, Prose
A short story from Resa runt solen (‘Journey round the sun’, Schildts, 1994). Introduction by Ann-Christine Snickars
It is a day in August and even though I can sense that the end of the summer is nearer than the beginning, my hours are still as long as days. I am a child and live in the midst of summer’s eternity.
This morning I wake up earlier than anyone else. It isn’t usually that way. Usually Mårten is the first of us two to get up, but now he is asleep with his face turned to the wall. I stay in bed for a while, listening. It is also quiet in the other room, where Mama is asleep. Now I remember that it’s today Papa is coming out to see us after working in the town all week.
I open the curtain a little and see that the sky is blue and not grey with heavy rainclouds as it has been these past few days. I quickly put on my few clothes, a thin striped cotton sweater, my shorts and my brown plimsolls. I push the door open, stand on the steps and breathe a morning air that still smells more of summer than of autumn. I listen to the familiar sounds: twittering birds, the wind in the treetops and crying gulls over the bay. More…
When sleeping dogs wake
Issue 4/1994 | Archives online, Fiction, Prose
Extracts rom the novel Tuomari Müller, hieno mies (‘Judge Müller, a fine man’, WSOY, 1994). Introduction by Soila Lehtonen
In due course the door to the flat was opened, and a stoutish, quiet-looking woman admitted the three men, showed them where to hang their coats, indicated an open door straight ahead of them, and herself disappeared through another door.
After briefly elbowing each other in front of the mirror, the visitors took a deep breath and entered the room. The gardener was the last to go in. The home help, or whatever she was, brought in a pot of coffee and placed it on a tray, on which cups had already been set out, within reach of her mistress. The widow herself remained seated. They shook hands with her in tum. The mayor was greeted with a smile, but the bank manager and the gardener were not expected, and their presence came as a shock. She pulled herself together and invited the gentlemen to seat themselves, side by side, facing her across the table. They heard the front door slam shut: presumably the home help had gone out. More…
Adieu, Paris!
Issue 4/1994 | Archives online, Fiction, Prose
One day an Indian physicist discovers that Paris has disappeared – or, in the words of the French government, has been relocated: ‘it now exists not merely in one place, but in many, perhaps not precisely here or there, but to some extent everywhere’. Extracts from the novel Kadonnut Pariisi (‘Paris lost’, Otava, 1994)
The news of the disappearance of Paris was, at first, an item in the remotest corners of the foreign news pages of the newspapers and in the light feature at the end of the television news – those absurd little stories: an elephant’s escape from the zoo, the mother of four who beat the world record for toothbrush-swallowing or the suicide of a news reporter in the middle of a television broadcast.
Professor Ansari, an Indian physicist, had developed a method for the extremely accurate measurement of the mass of the Earth. His conclusion was that the Earth weighed too little. And, by an extraordinary coincidence, the missing mass was approximately the same as the estimated mass of Paris. The physicist was foolish enough to make his result public and to utter the fateful words: ‘Well, of course the simplest explanation would be that Paris is missing. That it doesn’t exist any more.’ A news item on the subject in the ‘Crazy World’ column concluded with the remark: ‘Professor Ansari is continuing the development of his theory in the government mental asylum in Delhi.’ More…
The ladies’ dining club
Issue 3/1994 | Archives online, Fiction, Prose
From the novel Luonnollinen ravinto (‘A natural diet’, WSOY, 1994). Interview by Tuva Korsström
My dear, wise and ever-faithful secretary, colleague, friend and right hand, you who, without counting the hours, have been my helpmeet in many awkward situations, and not only in work matters but in others, all sorts of matters that belong to my private life and particularly those, you have remembered things that I have found hard to remember, like the birthday of my wife or some important colleague, and at Christmas you have always remembered me with some small gift, always different and always carefully chosen, of which I hardly need say how much it has warmed my heart, when I haven’t been able to do better than a single miserable hyacinth. And you have always reminded me of engagements I haven’t been able to keep track of: dentists, barbers, garages, less important and more important receptions, lunches and dinners, but what is most important, and why l am most grateful to you, is that in your generosity and open-mindedness – your eternal femininity – you have understood that a person in my position may sometimes find himself in situations whose consequences he cannot always control, and that he begins to be bothered by all sorts of people, although they should understand from the smallest hint that their company is not required, and you have sensitively but firmly turned them away, sometimes telling a little lie, and you have never, ever taken a moral stand or judged my actions, but have averted your eyes, having made the decision to accept that your boss is anything but perfect. For that reason I wish to express my gratitude to you; but not, however, unreservedly. Our seamless collaboration, my ever-lovable secretary, has meant that something belonging to me has begun to belong to you, that you have become part of me just as I have become part of my wife, even before she touches me with her fork. So I have no doubt that you, too, could appear at the dinner that is soon to be arranged. Bon appetit! More…