poetry
Change the words
30 March 2008 | Fiction, poetry
Poems from Bul bul (‘Bulbul’, WSOY, 2007). Introduction by Karri Kokko
Opening
Which street was it? A question in a poem doesn’t demand an answer, it’s
itself, like that accurate filter, a blood-soaked liver –
The city was a giant, budging my brains, the fireworks’
ash trailed down to earth, the clowns screeched, a book’s face
was waiting like a child’s face,
and they began swarming out, releasing themselves from signposts,
neon signs, from the pages of a closed book (smelling of a dried
ranunculus), from graves, from a woman’s abhorrent womb – More…
It takes a life to say
Issue 4/2007 | Archives online, Fiction, poetry
Poems, published in You go the words (Action Books, Scandinavian Series, Indiana, 2007). Introduction by Trygve Söderling
We go and search it is not words * You go the * And spread out To only * The song * One time I have a name * a longing * A morning’s * Words are words But word’s image Alas stay not * Fly out, my day fly, fly day to meet fly, fly, you the wretched's their, everyone's in all times peace and day on ground's floor floor ground o you in man's name * Suneveningspring * Dog bolts happy * And to not speak more it takes a life to say but – as the everyday moment O no beauty But your light – a smile what and to know * And allthesame The white day * |
Vi går och söker det är ej ord * Du går de * Och bredd ut Att endast * Sången * En gång Jag har ett namn * en längtan * En morgons * Ord är ord Men ords bild Ack stanna ej * Flyg ut, min dag flyg, flyg dag till möte flyg, flyg, du de armas deras, allas i alla tider lugn och dag på marks golv golv mark o du i människans namn * Solaftonvår * Hund skenar glad * Och att ej tala mer det tar ett liv att säga men – som vardagens stund O ingen skönhet Men ditt ljus – ett leende vad och att veta * Och alltjämt Den vita dag * |
Translated by Fredrik Hertzberg
One and twenty
Issue 3/2007 | Archives online, Fiction, poetry
(Extracts from the epic poem Kaksikymmentä ja yksi, Otava, 1974)
[Canto I]
Twenty-one and a sail, days and nights. Nights, they sleep. Days, they row, days and days up the Nevá, they row, stop at night, pull the vessel with ten pairs of oars across the bare water, from the Nevá to the Roiling Waves, from the Roiling Waves up to Novgorod, from Novgorod to the headwaters, and from there across the isthmus, over round logs, running the last log up to the prow, they pull, they row, they descend, they pull, they sail toward Pohja, the Southland.
Twenty-one and a sail, days and nights, nights, they sleep, they row, day and night, up the Nevá. The rower turns into arms, the arms turn into palms, the palms turn into oars, the oars turn into the river, the river runs. Night changes to day, day changes to autumn, autumn to wind, the wind turns into a sail, as one single bird ten pairs of oars pairs of wings fly upriver, across the isthmus, all night without stopping they pull, they float the vessel, they keep going toward the Southland. And South is the name of a slave. …
They stand in the Southland's yard. Bent, Bent, Nightbird, Big Toe, Crow's Son, Cuckoo's Son, Väinö's Son, Dead Man’s Son, Whitefish, Black Dick Man’s Wood, Broom, Lover Boy, Pumpkin, Water Cloak, Fishless, Stocking Foot, Fist, Mast and Fishery. Bent and Bent are twins, their father is also a Bent, Bent the Guardian of the Spears.
More…
Oh heiferiness and humanness
30 September 2007 | Fiction, poetry
Kesäillan kevyt käsitteellisyys.
III laulu: Suvisimfonia, omistettu Joel Lehtoselle.
‘A summer evening’s slight conceptualness’.
III song: Summer symfony, dedicated to the author
Joel Lehtonen (1881–1934)
From Eros (WSOY, 2002)
A summer evening’s slight conceptualness
Ah summer evening, and its eveningness,
its prodigious wonders and their bridgefulness
when the nightunited seamlessness
steals into one’s heart with restfulness
O heiferiness and humanness,
ah shivering shimmeringness,
innocents’ innocuousness
and vastness with its stresslessness –
five or six chicks of a dabchick,
and deep water, lapfulness.
Our blue sky’s mirrored changefulness!
the spruces’ tall topliness, their tips’ sacredness
the yellow-billed black singer’s flutiness.
Nested cosiness, mutual tootiness! More…
Indebted to the centuries
Issue 3/2007 | Archives online, Fiction, poetry
Poems from Jouni Inkala’s Minuutin ja sen puolikkaan laajenevassa universumissa. Valitut runot 1992–2007 (‘In a minute and its half’s expanding universe’, WSOY, 2007)
Tail references
Mice don’t know that in the case of a human being
the death of a dear one may paralyse
a person’s capacity for years and years.
But in two things they’re more experienced than we.
They understand they’re in constant mortal danger.
That the trap is swift and silent.
That poison is a tear of awareness rising from the heart.
They also realise that in a cat’s claws they fly
like jackknives in the hands of a knife thrower.
And that when the audience finally gets round
to wakening up their hand~ in a rising storm of applause,
they won’t be distinguishable from the arena spotlights
or the ringmaster’s tails.
After their full term of service the mice pass out
from this time to the other side, and there see a miracle:
the sun’s heart beating six hundred times a minute.
In Helsinki, recalling the Pinder Circus
An eye of the unseen
Issue 2/2007 | Archives online, Fiction, poetry
Poems and aphorisms by Aaro Hellaakoski. Introduction by Pertti Lassila
Evening
How tranquilly the evening’s darkening,
dusk deepening beneath the trees.
Consult the long alleyways of the skies
for the gift of this evening
and the cause of your ease.
But the waste! the pain and stress –
those reachings into secrets of the dark –
quarrying endlessness,
plummeting bottomlessness,
quizzing every question mark.
Why this rummaging into whence and why?
Empty let’s be. Open and free.
Let secrets come, or let them fly
away, diffuse like cloudscapes
or whisperings through a tree.
Eyes must glow as your spirits peer
through a wakeful cranny in where you are.
Only the silent have ears to hear.
When the doorstep feels the touch of a toe
only the vigilant’s door is ajar.
Huojuvat keulat (’Swaying prows’, 1945) More…
Say what you like
30 March 2007 | Fiction, poetry
Poems from Sanomattomia lehtiä and Leikitään kotia (‘Newsless newssheets’, ‘Let’s play house’, Tammi, 2004 and 2005)
Scent of morning
Say what you like about life, but life’s nothing that’s been said. The sun sets in a sepia setting where together a man and a woman walk out of the picture. At the start of the romantic’s story candles are lit, the girl stoops to hear better. Lonely stones roll from the horizon’s laughter, farewell to the continuity we love. Just for a second you could see from his face what he’d look like in twenty years. More…
The devil has no clothes
31 December 2006 | Fiction, poetry
Poems from Idealrealisation (‘The ideal sale’, 1929)
Stockings
V
I thought: it was a person, but it was her clothes and I didn't know that it doesn't matter and that clothes can be very beautiful
Contemplating the cosmos
30 September 2006 | Fiction, poetry
Poems from Valkoiseksi maalattu musta laatikko (‘A black box painted white’, WSOY, 2006). Introduction by Pertti Lassila
Good morning, murmuring universe,
dim tortuous thingamybob
with your moving and unmoving parts,
which every day need
new instructions for use
even though the previous ones
were not all that clear, because the article itself
is perpetually modifying its rules of behaviour.
There are threats that our details are being checked,
exhortations to be good, to wait,
wait and believe,
to stay outside at night
in abstract space
till the next numerical series. More…
Mother-days
30 June 2006 | Fiction, poetry
Poems from Yhtä juhlaa (‘It’s all a big celebration’, WSOY, 2006)
(a square metre, 3.)
Now for the-kick-of-being-the-good-mum:
after the rye porridge
after the sons washed with camomile foam
and slipped into clean sheets
with mummy singing a sweet song.
Something about shadowed snow
and how at the blue twilit-moment one can
go inwards. If you’re up to looking. All that garbage and slag:
ash from the too-small days, clotted with
non-combustible blots, even though here
the sky’s clear
and the windows open to the winds.
Good grief, here we’re making new people.
But all I’d time for
was the track from the dishcloth to the nappy bin,
and back from the children’s painting-table
to the sink. No job
for spoilt girls, this: the prissiest minx
would soon turn woman in this fix:
kids coming next after next,
years of full-time labour
in a square metre where
you make no point about peccadilloes,
because so much is at stake.
You’re no longer a rose,
pimpinella, rosabella,
but subsoil: loam
and spots of unrottable compost.
A feebler person would have reversed on
the first tantrum;
the child’s learnt to say things
and is saying things
I never thought would come. More…
On becoming a forest
Issue 2/2006 | Archives online, Fiction, poetry
Extracts from Ei, siis kyllä (‘No. That’s to say, yes’, WSOY, 2006). Introduction by Anselm Hollo
Propaganda-as-prayer-wheel is a powerful weapon, because it is a
prayer-wheel.
If there is nothing else to write about, it is always possible to write a
biography of Stalin, with all the spices.
A neat composition has always sufficed as good history, one according
to which an administration has done its best when it has elected itself.
Direct and indirect conclusions are impossible.
‘Legitimised historians explicate the nature of documents in a taciturn
manner…’
Scholarship cannot be based on what Aristotle did not say.
What Aristotle did not say is not a fact.
It is useless. Silence alone is a helpful rhetorical figure. But I do not know
how to use it. Nor am I trying to learn.
Cycling through a rainbow
30 March 2006 | Fiction, poetry
From Läsning för vandrare (‘Reading for hikers‘, Schildts, 1974). Introduction by Maria Antas
1
The people I was fond of have been wiped from my memory. Do you remember a friend, perhaps? Be glad, then, you are still alive.
7
The one who has owned a room in someone's heart is easily reconciled with the thought of eventually gaining a room in the earth's bosom.
8
Love is only a preparation. More…
Timeless time
30 December 2005 | Fiction, poetry
Poems from Jumala saalistaa öisin eli Jobin kirjaan meidän on aina palaaminen. Osittain kursivoituja runoja (‘God hunts at night, or, we shall always return to the Book of Job. Partly italicised poems’, Otava, 2005)
Greek delights
I eat Giorgios D. Haniotis' small joys buried in powdered sugar, vanilla, rose petal and strawberry, as if wooing his three daughters, reading Angelos Sikelianos' poem 'A country wedding':
and it is a beautiful blue day, Sunday,
the strange charm of Greek letters: i kiriaki,
hazelnut kernels dipped in thyme honey,
white herb ashes from the roadside,
a cigarette taste deep as sin,
tobacco smoke the only haze one can stand looking at,
a little quarrelsome noise, bus station flu,
promises made by Turks,
the threadbare pile carpet of the entrance hall as a word of honor, More…
Travelling light
30 September 2005 | Fiction, poetry
Where roads reach through nights into a fresh infant nightfall with forest growing rooted to roots and stars, and darkness canters along on her black mare, canters along at a silent pace, she combs her hair on the starry comb and then slips into eyes to sleep.
But here nights are nights
of rooms, mere darkness:
light a light, it’s no night,
put out the light, it’s night,
that’s all,
and not here alone but everywhere
that rooms are ranged in rows
in piles.
Houses sleep, breathe earth’s vastness
so that each of you, alone,
but neighbouring together,
will fill with stars.
From Vaeltanut (‘Travelled’), 1956 More…
Travelling alone
30 June 2005 | Fiction, poetry
Poems from Ödemjuka belles lettres från en till en (‘Humble belles lettres from one to one’, Schildts, 2002)
Blind Alley Travel Bureau
We arrive on the last arrival.
Turn the lights out when you go, the airport staff ask.
To this place you and I must travel. It was the only departure
that was called. The only place there is, said the guide.
One’s vision is blocked by the view. We’ll find no somewhere else.
‘When I fall asleep, drive the last stretch by yourselves,’
says the driver.
A last summer family lift him into
their homeward-returning back seat. More…