Fiction

The situation in Narva

Issue 4/1993 | Archives online, Fiction, Prose

A short story from Pakosarja (‘Exhaust manifold’, WSOY, 1993)

We went into the building where Voroshilov said the waitress had disappeared. Inside was a big room lined with wooden benches. A tin-clad stove radiated heat. Someone had shut the dampers too early, probably out of meanness; it had that kind of smoky smell.

A corridor led from the room, with a few doors off it. We peered inside, but there was no one to be seen. There was nobody in the entire building. We left.

We walked across the railway yard in what I thought was the direction of the train. We heard the sound of the engine long before we could see anything through the snowstorm. At regular intervals the engine’s pressure valve let off steam. Voroshilov went for a leak. He leaned against the engine’s big back wheel and watered the lever, which had been left in the down position. The liquid ran down the engine’s rounded flank. The snowflakes melted as they fell on to the black casing of the water-tank. More…

Eye to eye

Issue 3/1993 | Archives online, Fiction, poetry

A selection of previously untranslated poems by the Finland-Swedish modernist poet Gunnar Björling (1887–1960), introduced by Birger Thölix

Like silent sounds sail passes after sail.
But the night’s globe stands
and just as open stands the wide sea
and all the days expire in morning brightening.
Like a thing not expired
a life-warm scent throbs
through my limbs
and my hand is filled with tablets to read
and new hearts burn.

1933 More…

Virtual realities

Issue 3/1993 | Archives online, Fiction, Prose

Prose pieces from Bamalama (WSOY, 1993)

After eating his family, he went abroad. There was a heatwave in Torremolinos. The sandy beaches were empty despite the Mediterranean waves’ enticing glitter. Although it was so hot, not a trace of the sun could be seen in the sky, and no clouds either. He sat in an armchair in his modest hotel room and breathed deeply. He thought about the pretty young girls on the beaches just waiting to be casually plucked, bony adolescent bodies, opulent and luscious adult female forms, and lips beyond all powers of description. He sat there, and time passed. Soon darkness spread over the beach, and he could see nothing but velvety black nothingness stretching out to the horizon. He was overcome by a powerful sense of fear, caused by the bleak desolation of the scene, this gloomy darkness that covered and hid the millions of shades of natural colors. He accepted his feelings and let them flow into himself, because he knew that morning, sunrise, and the play of nature’s colors down there on the beach boulevards, would resuscitate within him a great dreamer, impervious to the storms of the world. More…

Cruising

Issue 3/1993 | Archives online, Fiction, Prose

An extract from the novel Vieras (‘The stranger’, Otava 1992). Introduction by Pekka Tarkka

I lay there for a moment, motionless, eyes closed.

The bunk was damp. It felt damp around my thighs; I slid down lower – and there, it was really wet.

My sleeping bag was obviously soaked, and that meant that the mattress was soaked, too. Oh, rats. I couldn’t imagine having wet myself. Or – worse – had the boat sprung a leak, the water already rising up to the floorboards? I bounded to my feet: the rugs were dry. So was the cabin floor. I raised the boards, peered down: two fingers of water in the forward bilge, as usual. So, where the –? In the course of yesterday’s rough sailing, some water had seeped in below the windowframe. No more than a cupful, but it had trickled down inside the panel and then onto the mattress. I tried the other side of the bunk. It was dry. Well, I would just have to pick up the mattress and set it on its side. More…

On the bridge

Issue 2/1993 | Archives online, Fiction, Prose

From Saksalainen sikakoira (‘Schweinehund’, WSOY, 1992). Introduction by Tuva Korsström

From somewhere beneath the bridge – I still hadn’t managed to get across it, which may sound pathetic, or even ridiculous, unless you take into account my exceptional state of mind – or, rather, to one side, I heard a dragging, ominous grinding and rumbling. It stopped for a moment; then, after a short but clearly defined pause, there was a heavy splash. A snow-plough was emptying its load into the bay from the end of the pier. The mounds of snow sank deep into the black water; the tightly packed, sticky snow rose slowly to the surface in greyish-yellow blocks and clods; loose pieces of snow boiled and foamed in the eddies and melted before my eyes. My time was melting away, too, being junked, my remaining time… More…

Ascensus

Issue 2/1993 | Archives online, Fiction, poetry

Poems from Virtaava seinä (‘Flowing wall’, 1984). First performed by Toimii!, Stockholm, 1984. Introduction by Lauri Otonkoski

Ahead lies a journey
but those who are embarking on it
are fascinated as much
by the finer-than-fine bright wall,
wall flowing like the wind separating what
is not
from what is right now
beginning to be born
from their own movements:

these restless spirits
were born in the same valley
each prepared only by their own story
each with an instrument that is more good will
than any curved or straight wood or metal,
and in this world,
its Western Yard, it is
a little dark
and it is not yet time to decide
whether it is now morning or evening.
Someone is calling, or wakening, some instrument
that is pure suggestion, a cry of departure
or a quiet enticement: ready?
It is accepted, it is answered,
it is like the voice of Reason in the cool air,
and when they all tum to start their journey
before them is rising ground, a whole hill,
a slope and a mountain the size of Europe More…

Melba, Mallinen and me

Issue 2/1993 | Archives online, Fiction, Prose

From Fallet Bruus (‘The Bruus case’, Söderströms, 1992; in Finnish, Tapaus Bruus, Otava), a collection of short stories

After the war Helsingfors began to grow in earnest.

Construction started in Mejlans [Meilahti] and Brunakärr [Ruskeasuo]. People who moved there wondered if all the stone in the country had been damaged by the bombing or if all the competent builders had been killed; if you hammered a nail into a wall you were liable to hammer it right into the back of your neighbor’s head and risk getting indicted for manslaughter.

Then the Olympic Village in Kottby [Käpylä] was built, and for a few weeks in the summer of 1952 this area of wood-frame houses became a legitimate part of the city that housed such luminaries as the long-legged hop-skip-and-jump champion Da Silva, the runner Emil Zatopek (with the heavily wobbling head), the huge heavy­weight boxer Ed Saunders and the somewhat smaller heavyweight Ingemar Johansson who had to run for his life from Saunders. More…

Skiing in Viipuri

Issue 1/1993 | Archives online, Fiction, Prose

An extract from Vanhempieni romaani (‘My parents’ story’, 1928–30). Introduction by Kai Laitinen

One of my earliest memories of my parents, Alexander and Elisabet, is a scene from early spring that must be located somewhere in the vicinity of Viipuri [Vyborg], in those distant times [the 1860s] when the young couple, having moved from St Petersburg, had lived for only a few years in Finland, where my father held the post of director of the topographical district.

I remember a glorious walk with my father and mother.

Alexander had his skis with him. Elisabet held us both by the hand, Kasper and me. We had come out to see Papa ski. Our other brother, Eerik, was still too small for such expeditions, and had been left at home.

Presumably Mama, too, saw downhill skiing for the first time on that occasion, and she was amazed to see how it was done, standing, with one foot on each ski.

Mama was wearing a tight half-length fur coat; on her head she had a brownish-grey fur hat whose top part was made of dark red velvet.

I remember the steep, snow-covered slope, which our cheerful mother good­-humouredly helped us climb, carrying each of us in turn, from time to time setting us down in the deep snow, in which we sank up to our waists. In places the snow was so hard that we could run along it as if along the floor.

I remember that dazzling, bright slope as if it were yesterday. The snow glitters with sparkling brightness. One cannot keep one’s eyes open. The snow has a yellowish sheen, like the sun itself.

Papa is wearing a pale grey officer’s greatcoat with silver buttons; on his head is a dark military fur hat, and on his feet shining knee-boots. Now he pushes with his ski­sticks and sets off down the slope. His downhill speed is terrifying, even though he is standing up on his skis. On reaching the plain, he grows smaller and smaller, and, finally, is only a dot, far, far away. What a long time we had to wait before he came back to us!

Mama was greatly thrilled and amazed. But she was astonished that Papa dared stand up on his skis, when he could have sat.

To make the long wait shorter, Mother invented a game for us to play. She dug nests in the snow, and we crouched in them. She went behind a bushy juniper, hooked her fingers frighteningly in front of her face, and pretended to be a bear. We squealed and burrowed deeper into our nests. Growling, she crawled out from behind the juniper.

This was fun. We forgot Papa completely, and did not notice him until he was back on the slope. Once back at the top, he pointed his skis downhill again and shouted for Mama. He wanted her to stand on the skis behind him and hold on to the belt of his greatcoat, so that they could ski down the slope together.

Mother was full of laughter and panic. Covering her eyes with her hands, as if afraid even to contemplate such danger, she fairly squealed with terror. Papa had already put on his skis, and merely asked Mama to hurry up.

‘Ni za chto, ni za chto!’ cried Mama, waving her arms as if to protect herself. That meant that she would not for any price consent to such a reckless action. ‘No, no, no, no!’

Papa shook his head to try to make Mama ashamed of her cowardliness, saying, what will the boys think of having such a cowardly mother!

But this had no effect. She merely turned away, and a crease began to appear between Papa’s eyes, something that we boys always took note of, however far we were from him. And I think Mama would have noticed it, too, if she had not happened to be turned away.

‘Come on!’ said Papa, in a voice that made Mother glance at once toward him. And now, of course, she abandoned all her objections. She did as we would have done. Without showing any hesitation, she went bravely up to Papa, placed herself on the skis behind him and gripped the belt of his greatcoat.

And Papa said: ‘just hold on tight, and start to step with me, first with your left foot, then your right, one, two, one, two…’

Papa spoke in a decisive voice that one could not imagine anyone disobeying. And they began to move forward. We stood a little lower down and watched their descent. Papa speeded them onward, helping with both his sticks.

As they reached the slope and the skis began to slip forward under their own power, Mama’s head was hunched between her shoulders and her eyes were tightly shut. Clearly she was preparing to throw herself into the maw of the world’s greatest danger, come what may!

Excitedly, we watched the extraordinary spectacle. They sped past us at a furious speed. Papa and Mama together! Together for once, and skiing, which meant they were playing a game! We had never seen anything like it. At home they were nearly always in different places, one in the kitchen and by the beds, the other at the office and in his study, where we were not allowed to go when Papa was at home. But now they were skiing together, and even Papa could laugh, because this was a game! We were carried away with enthusiasm. Could there be anything more exciting or exhilarating! My chest swelled with joy, and I would have liked to shout and scream, for no reason, or to turn somersaults, over and over, head buried in the deepest snow.

But what was this?

Just as their speed was at its greatest and they were about to reach the plain, we saw them fall over. Their speed threw them apart. Mama spun around in the snow, with a flash of white underclothes. Papa stayed where he was, but he too had turned head over heels in the snow. And one of his skis ploughed far, far on, on to the plain.

Mama must have guessed that we were frightened, for she leaped up and started waving to us, cheerfully shouting, ‘Coo-ee!’, and began to hurry back towards us. Papa set out on one ski to fetch the other one. But even so, they arrived back at the top of the hill at the same time. Mama’s progress had been slowed by her excessive laughter. When he reached her, Papa had begun animatedly explaining something to her, and perhaps it was this that made her laugh, or perhaps the fact that the snow was so soft that she often sank into it up to her waist. At times she was so helpless with laughter that, on foot in the deep snow, she was forced to lean against the frozen snow-crust. This exasperated Papa, but that only made Mama find their fall even funnier.

When they reached the top of the hill, Mama could no longer make out, through her laughter, what Papa was trying to say to her. Then Papa turned to us, and we realised that he was not really angry at all. He only wanted to absolve himself from blame for the fall. He wanted to make it clear that Mama had been pulling him backward with all her strength. The faster they went, the more Mama had tried to slow them down, until in the end she pulled both of them over. We understood this explanation perfectly well, and both of us, with manly solidarity, took Papa’s side.

He started to demand that Mama should climb up on the skis again.

And, strange to say, Mama seemed quite happy to do so, as if she, too, thought it was fun.

But nothing came of it. Apparently one or other of her sons had, after all, been so frightened by the recent somersault that, as Mama climbed on to the skis once more, he burst into tears. And, to cheer him up, Mama began to amuse him. Began to pretend to scold and threaten Papa, and push him off his skis with one of the sticks. Papa, too, was inspired to make believe. As Mama poked him, he pretended to fall over in the snow. Then it was his turn to attack Mama. And now Mama seemed to fall over. But Mama got her own back, breaking off a branch of juniper and approaching Papa menacingly. Now Papa pretended to take flight. He skied off down the slope at speed, but made a sudden turn halfway and climbed up again. What an excellent skier he was!

This make-believe fight amused us so much that we almost split our sides with laughter. The funniest thing was to see Papa being frightened of Mama! Could there be anything more ridiculous: Papa running away from – Mama! Again I wanted to shout for joy and turn a somersault in the snow.

But most hilarious of all was to see them romping together in so unruly a fashion, pushing each other into the snow and wrestling each other off balance.

No other memory from those times has remained as bright and clear to the last detail as this apparently insignificant scene. And yet it casts light on the blackest darkness of succeeding years, a completely solitary memory, as if it had gathered all light to itself, and extinguished all other sources with its brilliance.

Why should one particular memory outshine all others and become the most important experience of childhood? With the best will in the world, I cannot understand why it alone, and no other, engraved itself on my memory. In order to explain something in the future?

I cannot think other than that the memory has survived because of the unforgettable feeling of joy that was awakened in us by my parents drawing companionably closer in their unruly games.

Other parents too, if they knew how such a sight would delight their children, might play together more often.

Translated by Hildi Hawkins

Gorgonoids

Issue 1/1993 | Archives online, Fiction, Prose

From Matemaattisia olioita tai jaettuja unia (‘Mathematical creatures, or shared dreams’, WSOY, 1992). Introduction by Soila Lehtonen

The egg of the gorgonoid is, of course, not smooth. Unlike a hen’s egg, its surface texture is noticeably uneven. Under its reddish, leather skin bulge what look like thick cords, distantly reminiscent of fingers. Flexible, multiply jointed fingers, entwined – or, rather, squeezed into a fist.

But what can those ‘fingers’ be?

None other than embryo of the gorgonoid itself.

For the gorgonoid is made up of two ‘cables’. One forms itself into a ring; the other wraps round it in a spiral, as if combining with itself. Young gorgonoids that have just broken out of their shells are pale and striped with red. Their colouring is like the peppermint candies you can buy at any city kiosk. More…

Dread and happiness

Issue 1/1993 | Archives online, Fiction, poetry

A selection of poems. Introduction by Herbert Lomas

Comet

He stands at the edge of the market,
not much to look at himself,
with a stare:
across the black dome a shooting star
draws its portrait – and is not there.

His bag weighs on him heavy –
a hard day's 
skychart inside.
He fumbles for... a formula –
some old saw, or a soaring phrase –
     to lay the moment wide.

He’s nailed fast to the world,
but before he goes away –
what did he come here to say? More…

The return of Orpheus

Issue 4/1992 | Archives online, Fiction, poetry

from Hid (‘Coming here’, Söderströms, 1992). A Valley in the Midst of Violence, a selection of poems by Gösta Ågren translated by David McDuff, was published by Bloodaxe Books of Newcastle-upon-Tyne in 1992. Introduction by David McDuff

No poet can endure
being dead, a sojourn without
meaning and method. He needs
order and rhythm. His poems
are really laws. He
always turns back
from the underworld, which resembles
the everyday.

The darkness hides the screams
around him, when
the way begins. The sun is
only black heraldry, only
a cavern in the sky
of stone, and he sees
it, without being blinded. More…

As in a dream

Issue 4/1992 | Archives online, Fiction, Prose

From Kun on tunteet (‘When you have feelings’, 1913). Introduction by Irmeli Niemi

‘No, they’re not rich, those Kolehmainens, not rich at all. Even the house is a bit on the small side.’

‘So how did you end up there? That’s one thing I’ve often wondered about.’

‘How did I end up there? Well, it must have been my fate.’

‘You sure weren’t looking to get rich.’

‘No, I sure wasn’t. Got married when I had to.’

‘Had to. You can’t tell me it had to be to him. You, with suitors in every size and shape. All you had to do was pick out the best, but no, you just up and take off with somebody from out of town, and a poor man at that.’ More…

Disintegration

Issue 4/1992 | Archives online, Fiction, Prose

From Pythonin yö (‘Night of the python’, Gummerus, 1992). Introduction by Kaija Valkonen

I feel as if the disintegration has already started. I do not want it, I am not yet ready. And I do not want to discuss it with the doctors; I know that they would not understand, and the thing I am talking about has nothing to do with my state of health. It is not an illness; it is something more insidious. It occurs under the cover of health. It is a deception.

It is hard to say when it started, but whenever I try to remember, a certain day comes into my mind. It can hardly be the beginning, how could disintegration start with joy? But it was a day that contained many elements of dissolution: a strong wind, the ice breaking, quickly moving clouds. At one point I picked up an old tub in the corner of the shed, its hoops fell off and it collapsed, ringing. More…

Burgundian rain

Issue 3/1992 | Archives online, Fiction, poetry

from Burgundiska sviten (‘Burgundian suite’, Schildts, 1966). Introduction by Tuva Korsström

and if we could reach our Burgundian boundaries
you close to mine and I closer to yours than mine
and there see far beyond all boundaries
and there see jar beyond all shores
and there see far beyond all seas
and the ice blocks which this winter’s day
are brought heaving from below and the numbed cliffs
and ice-shattered shores vanish
and before us lies our open
quite open and naked sea More…

Word for word

Issue 3/1992 | Archives online, Fiction, poetry

Poems from Falla (Eurydike) [‘Falling (Eurydice)’, Söderström & Co., 1991]. Introduction by Michel Ekman

a murderer who is running through the culverts of a hypermodern
high-rise complex asks desperately about possible ways out if he meets anyone,
he does not express himself symbolically,
in a locked room he writes poems no one understands, what he
writes is real –

you came to me at night
you asked me to do something,
I did it, for I am possessed, by you (fixed image!) in me, by 
myself	by your constant flight out of me, 	incomplete 	by my 
flight –

now you are changed: I love your fleetingness
your flight is in vain –

what’s done is done More…