Fiction

Losing it

Issue 1/2002 | Archives online, Fiction, Prose

An extract from the novel Jalat edellä (‘Feet first’, Otava 2001). Introduction by Kanerva Eskola

Once he had sat in the car for a while Risto could feel his thoughts slowly becoming clearer. Tero had been killed by a lorry. He couldn’t think particularly actively about it but perhaps he could have said it out loud. After all, people often say all kinds of things that they don’t think. Maybe even too often, he wondered and decided to have a go.

‘Tero is dead,’ he said and the words tasted of preserved cherries.

In the changing room at the swimming pool Risto noticed that his swimming trunks and towel were mouldy. He had forgotten to hang them up to dry after the last time he went swimming. That was a thousand years ago and now a bluish grey fur was growing on them. He examined the bitter smelling mould on his trunks; the fur was beautiful, smooth and silky like a rabbit’s coat. He gently stroked his trunks. I can use these for ice swimming, he decided, and began to chuckle quietly to himself.

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Beastly beatitudes

Issue 4/2001 | Archives online, Fiction, Prose

From Hämärä luonto. Aamunkoista Yön tuhmaan lintuun (niiden käyttäytymysestä ja elämästä yleensä) (’Natura Obscura. From the Moth of Dawn to the Naughty Bird of Night. On their behavior and life in general’, Tammi, 2001. Illustrations by Tatu Tuominen)

Anas cummea

Rubber duck

There are three species living on Earth which, it can be assumed, will survive a possible nuclear catastrophe: the cockroach, the rat and the rubber duck. Of these, the rubber duck is perhaps the most durable. Nothing affects it.

As soon as it emerges from the shell, the rubber duck secretes around its down an insulating layer of gum elastic for it cannot survive among bacteria or other non-mathematical creatures. Here begins the journey toward perfect self-sufficiency.

When young, the rubber duck looks at the world from behind its transparent membrane, protected from causes of disease, bad influences and modern poetry. With age, the rubber layer strengthens and becomes cartilaginous. Finally, the rubber duck lives alone in its own microcosmos, where there are no inter-species competition, nest-usurpers or elephant seals that mishandle their young. On the other hand, it has no room, either, for sunsets, litters of furry soft toys, or the lusty touch of lovers.

Sometimes the rubber duck finds itself in an existential panic: is there anyone, anything, outside the insulating layer? And does it itself exist? Who is speaking? Wrapped up in these thoughts, it reels around, bouncing from one bath to another, one season to the next. More…

To live, to live, to live!

Issue 4/2001 | Archives online, Fiction, poetry

From Kaukainen puutarha (‘A distant garden’, WSOY, 1924). Introductions by Vesa Mauriala and Leena Krohn

Flowering earth

The earth’s spilling out purple lilac clusters,
a rime of white rowan flowers,
constellations of red catch fly.
Crazy seas of blue, yellow and white flowers
ripple across the meadows.
And the smell!
More seductive than sacred incense!
The heathen smell of the earth’s skin –
hot and quivering, making you mad drunk!

To live, to live, to live!
Living the high moment of life with a rage,
petals wide open,
blossoming beautifully,
raving at your scent, at the sun –
living tipsily, the whole way!

So what if death’s coming!
or this wondrous multicolour’s
withering down to the earth?
Once at least there’s been a blossoming!
The sun – sky’s
mighty and burning love – has shone
straight into the flower heart,
down to the tremulous ovule of being!

Kukkiva maa

Maa kuohuu syreenien sinipunaisia terttuja.
pihlajain valkeata kukkahärmää.
tervakkojen punaisia tähtisikermiä.
Sinisiä, keltaisia, valkeita kukkia
lainehtivat niityt mielettöminä merinä.
Ja tuoksua!
Ihanampaa kuin pyhä suitsutus!
Kuumaa ja värisevää ja hulluksijuovuttavaa,
pakanallista maan ihon tuoksua!

Elää, elää, elää!
Elää raivokkaasti elämän korkea hetki,
terälehdet äärimmilleen auenneina,
elää ihanasti kukkien.
tuoksustansa, auringosta hourien –
huumaavasti, täyteläästi elää!

Mitä siitä, että kuolema tulee!
Mitä siitä, että monivärinen ihanuus
varisee kuihtuneena maahan.
Onhan kukittu kerta!
On paistanut aurinko,
taivaan suuri ja polttava rakkaus,
suoraan kukkasydämiin,
olemusten värisevään pohjaan asti!

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Writing letters

30 December 2001 | Fiction, Prose

From Meddelande. Noveller i urval 1971–1997 (‘Messages. Selected short stories 1971–1997’, Schildts, 1997)

I’ll make it to Maritim, got hold of Gustafsson, van coming at 8, have redirected mail to summer address, bye kiss Tooti
Take last things out of fridge

Hi my name is Olavi. You write well but last time you didn’t make a happy ending. Why do you do this?

We look forward to your valued reply soonest concerning Moomin motifs on toilet paper in pastel shades

Don’t say too much if they ring, don’t promise yet. Bye Tooti

Hi! We’re three girls in a mad rush with our essays about you could you help us by saying in just a few words how you started writing and why and what life means to you and then a message to young people you know the kind of thing. Thanks in advance More…

Art in nature

30 December 2001 | Fiction, Prose

A short story from Dockskåpet (‘The doll’s house’, 1978)

When the summer exhibition closed in the evenings and the last visitors went away, it became very quiet. A short time later boat after boat set off from the shore and sailed back to the village on the other side of the lake. The only member of staff who remained overnight was the caretaker; he slept in the sauna changing room at the bottom of the large lawn where the sculptures had been lined up among the trees. He was very old and had a bad back, but it had been hard to get hold of someone who didn’t mind the long, lonely evenings. And there had to be a night caretaker because of the insurance. More…

The dog-man’s daughter

30 December 2001 | Fiction

Extracts from the radio play Porkkalansaari (‘The island of Porkkala’, the Finnish Broadcasting Company, 1993)

The surface of the earth is the first to freeze; then the still waters. The sea freezes at the shore often at the same time, on the same night, as the slow-flowing brooks. I have watched them for many years. When you live in the same place for a long time, you notice this much: that almost everything just repeats and repeats.

It flows into a plastic tube. I suppose water flows inside it. You could drop matchsticks in on the other side of the road and wait on this side for them to swim through the drum. You’d only have to find one; that would be enough to prove it. More…

No longer I:

30 September 2001 | Fiction, poetry

From Voittokulku (‘Triumphal march’, Tammi, 2001). Illustrations by Jukka Korkeila

Tiamat [Bloody moon]

The goat’s cheese that I have just succeeded in swallowing is now grazing in my gullet before its last metamorphosis. Soon it will be washed away into the endless system of tubing, the network of veins that proliferates beneath the paving stones. The body expels the waste and another receives it. Some people believe they are different bodies, but on thorough examination it is clear that they are both part of one and the same liquid-channeling system. I speak of a body which is a city, of liquids which surge beneath the streets, of subterranean waters. I lift a manhole cover and behold a sea which you could never dream of. The sea is a living creature and knows me better than I do myself. When I close my eyes, I see a crayfish that climbs out of the water and stretches out its pincers toward a bloody moon. What does it mean? Of that I do not wish to speak a single word.

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Strange songs

Issue 3/2001 | Archives online, Fiction, poetry

Poems from Den harhjärtade människan (‘Hare-heart’, Söderström & Co., 2001). Introduction by Helena Sinervo

You see,
it becomes evening,
over reeds and marsh meadows… The moon’s time,
the moon’s hours… one leaves one’s body
and does not come back until dawn…
Now I think of the grass and of the small
lizard that sleeps in my lap, my child
with that silver-coloured skin and of
the voices of the wild dogs that the moon loves.
Once there were forests, rivers
and seas on the moon, they are still there –
death is merely the needle that
opens your eye so that at last you
can see, the light
we lived in.

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A life at the front

Issue 3/2001 | Archives online, Fiction, Prose

Extracts from the novel Marsipansoldaten (‘The marzipan soldier’, Söderström & Co., 2001). Introduction by Maria Antas

[Autumn 1939]

Göran goes off to the war as a volunteer and gives the Russians one on the jaw. Well, then. First there is training, of course.

Riihimäki town. Recruit Göran Kummel billeted with 145 others in Southern elementary school. 29 men in his dormitory. A good tiled stove, tolerably warm. Tea with bread and butter for breakfast, substantial lunch with potatoes and pork gravy or porridge and milk, soup with crispbread for dinner. After three days Göran still has more or less all his things in his possession. And it is nice to be able to strut up and down in the Civil Guard tunic and warm cloak and military boots while many others are still trudging about in the things they marched in wearing. The truly privileged ones are probably attired in military fur-lined overcoats and fur caps from home, but the majority go about in civilian shirts and jackets and trousers, the most unfortunate in the same blue fine-cut suits in which they arrived, trusting that they would soon be changing into uniform. More…

It’s only me

30 June 2001 | Fiction, Prose

Extracts from the autobiographical novel Pienin yhteinen jaettava (‘Lowest common multiple’, WSOY, 1998)

The weather had not yet broken, although it was September; I had been away for two weeks.
The linden trees of the North Shore drooped their dusty leaves in a tired and melancholy way. Even the new windows were already sticky and dusty. The flat was covered in thick, stiff plastic sheeting. The chairs, the books, the Tibetan tankas and the negro orchestra I had bought in Stockholm glimmered beneath the plastic ice like salvage from the Titanic.
The windows had been replaced while I had been in Korea.
I unpacked the gifts from my suitcase. Lost in the sea of plastic, the little Korean objects looked shipwrecked and ridiculous.
My temperature was rising; it had been troubling me for more than a week.
I smiled and said something, not mentioning my temperature.
It was time to be a mother again, and a life-companion.
And a daughter…. More…

Geneswing

30 June 2001 | Fiction, poetry

Poems from Tuulen vilja (‘Windcrop’, WSOY, 2000)

Longbeaked birds
created for the deepfunnelled gloxinia – everything exactly right.
The sport of colours, survival (though I always felt I was
sunset in the morning).
I walk over the living, the playful swing of genes,
uniqueness in splinters: capsules,
family trees, root systems, leafage.
In the geneswing little deviations of dimension,
as if I were perpetually outlining waves with my finger.
The primal miracle of seeds: I press
a mixture of summer flowers in the soil, exploding
a serial miracle. More…

The last lap

Issue 2/2001 | Archives online, Fiction, Prose

A short story from Ilmatasku (‘Air pocket’, Otava, 2000). Introduction by Soila Lehtonen

Father arrived by taxi with his black suitcases.

He stood in the hallway, casting a glance over father’s shoes, his trouser-legs. Under his arm was a folded newspaper; it fell to the ground when father bent to undo his shoelaces.

The newspaper was written in strange letters. It felt as if the saliva would not leave his mouth however hard he swallowed. Mother jumped back and forth; mother’s mouth chattered. He scratched the wall with his nail; it was scored with pencil lines recording how much he had grown.

When father straightened up, he filled the whole room. More…

Country matters

Issue 2/2001 | Archives online, Fiction, Prose

A short story from Peili (‘Mirror’, Tammi, 2000). Introduction by Suvi Ahola

I’m getting so old, my Master and Mistress no longer take note of when I’m on Heat. They don’t even notice when some moisture comes dripping out of my innards, as a sign of it, like they did in the good old days. Anyway, this time I really boobed, I dirtied my Mistress’s Christmas slippers with my secretions. So what could I do? – if it drips it drips. I happened to be lying on my Mistress’s feet at the time, she’d invited me there herself. ‘Spot, Spot, come and warm my feet,’ she said. Of course I went, I always have done when I’m called, it’s rather nice. Your belly gets nice and warm there, and if you’re lucky your Mistress scratches your back now and then with her knitting needle. I sleep and snore a little – it amuses my Mistress and Master. But then the warming of my belly led to this boob – a big dose of this wetness slurped onto my Mistress’s feet. It caused a sudden departure. My Mistress yelled, and my Master flung me out into the yard. I’d scarcely managed a squeak before I found myself in the snow. I shan’t forgive them, no. It’s beyond my comprehension.

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A good day

Issue 2/2001 | Archives online, Fiction, poetry

From Juomarin päiväkirjat (’A drunkard’s journals’, edited by Pekka Tarkka, Otava, 1999). Introduction by Claes Andersson

Iceland, Summer 1968

I don’t know how to describe what I see,
           the lava’s colors; the afternoon green of the grass,
      and I can’t tell if that white is buildings or snow.
The mountains are fortresses of the gods, and if
      people’s construction projects irritate them
          too much, they let the ground shake, volcanos
erupt and tum everything upside down, assign new sites
      to houses and different routes for cars.
      The gods’ noses itch when their breath
          is caught in pipelines and
      channeled into radiators and greenhouses.
Sheep tear the grass but horses
                                             browse in a civilized manner.
Jónas does not believe in the gods, but he
                             is afraid of them, the gods are not pleased
      with the Americans, who do not know
          anything about the gods or history yet come here
                 and start interfering with the land
                                                            as if it were theirs.

*** More…

A dictionary of human destinies

31 March 2001 | Fiction, Prose

Short stories from Av blygsel blev Adele fet (‘It was embarrasment that made Adele fat’, Söderström & Co., 2000)

Adele

It was embarrassment that made Adele fat. It wasn’t from hunger that her fridge-fumbling fingers began to grow nimble, but from confusion. And it was never knowing what her tongue ought to say that led her to the concrete business of the fridge. Her tongue certainly knew all about tasting. It could feel her teeth chewing even if it didn’t know how to speak. It became a better and better judge of brussels sprouts and speckled sausage. The rest was just good morning and thanks, thanks and goodbye and nice day. More…