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Family mysteries

Issue 1/2003 | Archives online, Fiction, poetry

Extracts from Einen keittiö, Eines kök (‘Eine’s kitchen’, Tammi, 2002). Introduction by Satu Koskimies

This sort of detached block of flats is as much of a living organism
as the folk dwelling in it.
For above are the brains and below are the intestines and outlets.

The upper floors were flaunting their kitchen taps, sink-tops,
lion-clawed sofas, mahogany chests and
sapphire-pendant crystal chandeliers, flashing the violet-tones of sea and
rain. More…

In no-woman’s-land

Issue 1/2003 | Archives online, Authors, Reviews

Ten years ago, when Kaarina Valoaalto moved to the country, to the village of Toivakka in central Finland, I received a note from her:

‘350g of me has just moved, the other 99kg is still in the thick of things. The final truckload – the chickens, the ducks, the goats, the geese, the cat – is leaving tomorrow at six (a.m.) in special boxes carried by volunteers. The current has taken my heart and the rapids my brain….’

Kaarina Valoaalto embodies the myth of the poet’s ‘creative madness’ by writing the way she lives and by living the way she writes. In the fragment ‘Hometalo’ (‘The mouldy house’) from a collection of poems, Räppiä saarnaspöntöstä (‘Rap from the pulpit’, 1997) two sisters, Eine and Tyyne, move into the house of their dreams in the countryside only to be met by a sharp smell: mould. The reality in the heart of the country reveals itself to the newcomers in a tragicomic way. More…

Woman and myth

Issue 4/2002 | Archives online, Authors, Reviews

Anu Kaipainen (1933-200) was a prolific writers; she published more than twenty novels, numerous stage, television and radio plays.

Kaipainen’s work has not been translated very widely. ‘The language of my books has often proved too difficult,’ the writer herself has said. Kaipainen’s language rings with the rhythms of the Karelian dialect, even the songs of the Kalevala, although in earlier novels it is linked with social reportage.

Typical of the writer’s work is diversity of material and style. Before post-modernism, this was called a collage technique. In her novels, Kaipainen has interleaved myths, folk stories and contemporary themes, as she also does in  Granaattiomena (‘Pomegranate’, WSOY) which is entwined around the Oedipus story from the point of view of Oedipus’s mother. More…

Manmother

Issue 4/2002 | Archives online, Fiction, Prose

Extracts from the novel Granaattiomena (‘Pomegranate’, WSOY, 2002). Introduction by Kristina Carlson

The journey

Mother had sent her son to the island of Rome.

She’d sent him for pleasure and recreation, and also to have a little time by herself. Even though their life together was on an even keel, it was sensible to have some time away from each other. She herself was sixty-eight, and her son an unmarried hermit in his thirties, on sickness allowance for the last couple of years. He was afflicted with chronic depression. The doctors had been unable to identify the cause. The origin of a disorder of that sort was often looked for in some infant trauma; but the boy’s childhood, from all appearances, had been harmonious. One doctor suspected the time of his father’s terminal illness, when the boy had had to nurse his father for a long while. More…

Practically public

Issue 4/2002 | Archives online, Fiction, poetry

Poems from Koko tarina (‘The whole story’, Tammi, 2002). Introduction by Anselm Hollo

Pan shot

A whitewashed wall, small windows

advent calendar peepholes at the end of darkness,
                               lit-up squares

One two three kitchens awake at 7
each tenant bends over a kettle of porridge
in the gurgling coffeemaker’s soundscape,
opens the refrigerator
see the hunter in action: let’s spear this yoghurt

and the building across the way testifies to all of this
practically public activity
the evening’s closure of curtains, turnings-off of the light,
nocturnal breastfeedings. Talking windows. A light comes on at: 2:54 AM
– what’s up now?
Is someone thinking about a bird she encountered at the cemetery? More…

Creatures in the family

Issue 4/2002 | Archives online, Authors, Reviews

Riina Katajavuori (born 1965) writes a poetry of quick shifts, cinematic cut, changes in point of view: in a translator’s note for Five from Finland (Reality Street Editions, London 2001), I said that they ‘incorporate voices, observations and acts of speech from the street, television, radio, lectures and books. These hums and buzzes are then distanced by being framed as laconic and ironic propositions.’

That observation still holds true for her new book. Koko tarina (‘The whole story’, Tammi, 2001). Ironic titles seem to be in vogue in contemporary Finnish poetry (e.g. Kai Nieminen’s Lopullinen totuus. Kaikesta, ‘The ultimate truth. About everything’, Tammi, 2002): while these eighty-some pages of poetry cannot literally tell any ‘whole story’, they show that Katajavuori’s work has become more expansive. It delineates a contemporary sphere of urban life in a more richly detailed way, employing an overall syntax that seems less discontinuous than before. More…

Season’s greetings

Issue 4/2002 | Archives online, Fiction, Prose

An extract from the novel Kolmastoista tuoli (‘The thirteenth chair’, Atena, 2002)

The start of the Christmas season was difficult for everybody, but it was one big upset for Ron and Dan, the twins. At Christmas, apparently, their whole world, all their schoolmates and backyard-mates, the whole gang of them, were avoiding the twins. No one seemed to be even talking to the twins, who said everyone was just concentrating on ‘being nice’.

‘Nice!’

The pain on the boys’ faces looked the real thing. They were without chums, and the reason was even more annoying.

‘They have to be nice, for they’re expecting presents from Father Christmas.’

Christmas was coming and was having a weird effect on the youngest. For the twins, effort and a reward for a good try were completely foreign concepts. At this point, their lives were sheer adventure. They were lavished with overflowing care and love – and not one Christmas present. More…

On the uselessness of poetry

Issue 3/2002 | Archives online, Authors, Essays

Poetry has become a habit, or a dependency, a bit like a long marriage, or the habit of doing the football pools, or of getting involved in jazz.

I began my career as a writer in the autumn of 1962 with a slim volume of poetry, Ventil (‘Valve’). Ever since then I have written and read poetry continuously. Over a period of forty years I have published about twenty collections.

Since for most of that time I have also had other jobs, either as a psychiatrist or as a politician (from 1987 to 1999 I was a member of Parliament, from 1990 to 1998 leader of the newly founded Vasemmistoliitto [Left Alliance] and from 1995 to 1999 Minister of Culture in Paavo Lipponen’s five-party government), my writing of poems has often been concentrated on summer holidays and weekends. So it’s often summer in my poems. More…

Selling to the lowest bidder

Issue 3/2002 | Archives online, Fiction, poetry

Poems from Dessa underbara stränder, förbi glidande (‘These wonderful shores, gliding by’, Söderströms, 2001). Introduction by Claes Andersson

We don’t have our whole life ahead of us.
Talk about your experience.
About the sensual, about giddiness and falling, about the time
            you were out of your mind.
I bow down, I proceed by trial and error.
Wait. Time is short.
I begin with light, light that’s autumnal sky-high
            all-embracing.
When I painted I saw nothing but the light.
Within the light: the invisible creating that hallowed
            feeling under a tree.
Each tree holds the light in its arms like a
            child or a lover.
Birds ruffled with light, breeding inside
            the tree’s head.
The touch of light’s wind on the tree is like
            a caress on the skin.
Birds that are everywhere, no one ever catches sight of them
            but sees them all the time.

More…

Endurance tests

Issue 3/2002 | Archives online, Authors, Reviews

Jari Järvelä (born 1966) puts his characters in extreme situations, making them victims of crime, wanderers in the desert, victims of car crashes as in the novel 66 luuta (‘66 bones’, 1998), or of torture and extortion as in the novel Lentäjän poika (‘The pilot’s son’, short-listed for the Finlandia Prize in 1999) and of war in the novel Veden paino (‘The weight of water’, 2001).

There are also plenty of problems to be found in difficult relations between men and women or at work. Järvelä’s themes also include power games originating in expert power and the shame that follows humiliation. These are also linked with a criticism of the Finnish culture of silence. This stops people not only from speaking, but also from analysing their traumatic experiences. More…

Dog

Issue 3/2002 | Archives online, Fiction, Prose

A short story from Afrikasta on paljon kertomatta (‘Much is still untold about Africa’, WSOY, 2002). Introduction by Maria Säntti

You’re exactly what a dog should be, I told him. You’ve a black ear and a white one. You’re not too big and you’re not all teeth.

I stroked his black-spotted coat. He wagged his curly tail.

I crouched down. He squeezed up against my chest. I sent my ball rolling along the stairway corridor. He shot after it, accidentally running over the top of it. As he braked, his claws screeched on the tiles. Sparks went flying.

He snapped the ball in his jaws, nibbled its plastic and sent it back with a snuffle. His tongue was wagging with glee. Next I wanted to roll the ball so he wouldn’t get it. It bumped against the iron banister and went off in a different direction, skidding under the dog’s belly. He turned and dashed after it. More…

Quiet strength

Issue 3/2002 | Archives online, Authors, Reviews

Eeva Tikka (born 1939) is an explorer of what lies under the surface, the secret strata of the human mind, who reveals the whirlpools that are generally hidden between the ordinary and the conventional. The themes of her collection of short stories, Haapaperhonen (‘The butterfly’, 2002) are death and relinquishment.

Tikka originally trained as a biology teacher and worked in teaching for a couple of decades before becoming a full-time writer in 1982. She has published more than 20 volumes, comprising novels, collections of short stories, poems and children’s stories. The children’s stories are illustrated by her sister, Saara Tikka. More…

Letter to the wind

Issue 3/2002 | Archives online, Fiction, Prose

A short story from Haapaperhonen (‘The butterfly’, Gummerus, 2002). Introduction by Kristina Carlson

When Father comes to visit me, he sometimes sings a hymn. I can’t ask him not to. But when he doesn’t, I wonder why not, whether there’s something up with him. I can’t ask him to sing, but something is missing, the same thing that there seems to be too much of when he sings. It’s too much, but I miss it when it’s not there. I wonder about it after Father’s gone; my thoughts curl into dreams and I sleep.

When I sleep I don’t know I’m here, in a strange place. I’m at home, sleeping at home, in my own bed. The window is the right size, not too big like it is here; here there isn’t really a window at all, half the wall is missing and instead there’s glass. Behind a glass wall it’s not safe, everything is taken through it, including me. But sleep takes me to safety; I’m at home there. I breathe it peacefully. In the cabin there are two breathings, mine and Turo’s, and in the bedroom Father’s breathing. They are in no hurry to drive time away; time can linger, sleep, the moment of night, and when sleep withdraws there is no hurry either; I can sit in peace on the window seat and gaze at the cloudy, moonlit yard. The apple tree is asleep; it’s the only one. The fieldfares ate the apples before we could pick them, but it did not bother me or Father. It was good to look at the flock of fieldfares making a meal of the apple tree. Then they went away. More…

Brighter than darkness

Issue 2/2002 | Archives online, Fiction, Prose

An extract from the novel Eksyneet (‘The lost’, WSOY, 2001). Interview by Markus Määttänen

It was a white tiled wall. Too white. Sterile. He wondered how long he had been looking at it. In any case long enough to have forgotten it was a wall. It had changed into a vacuum opening up before him and then shrunk into a tunnel through whose irresistible suction he had hurtled toward the painful images of the past. The past. Yesterday. Almost yesterday. He had stared at the nocturnal entrance, clearly divided in two by the street lamps, and not just that, but now saw only a lifeless and, in its lifelessness, repellant wall. He sighed, rubbed his numb face, pushed himself off the floor and stood up.

More…

Displaced persons

Issue 2/2002 | Archives online, Authors, Interviews

The novels of Asko Sahlberg (born 1964) have introduced a new kind of existential narrative cum thriller to Finnish literature. Interview (2002) by Markus Määttänen

Asko Sahlberg survived a real test of his skills as a writer in the year 2000 in the shape of his novel Eksyneet (‘The lost’). It almost killed him.

‘When I finally finished it, I went on a binge for about a month. A terrible depression, almost as if a child had died. Such a deep low that my private life, too, went to hell, and I split up with the Swedish woman I’d been living with. It was perhaps the most difficult process I’ve been through in my entire life. But it made a damn good book.’

Asko Sahlberg was the literary phenomenon of autumn 2000. A Finn who had lived the life of an outsider in Gothenburg, Sweden, for four years and had deliberately set out to be a writer gave voice to the Scandinavian darkness. More…