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Sunweave

Issue 2/1998 | Archives online, Fiction, poetry

Poems From Aurinkopunos (‘Sunweave’, WSOY, 1997). Introduction by Jyrki Kiiskinen

Evening in Manhattan

the mechanism clicks
in the past I suppose it was called
falling in love but now we’re expected to merely
note that the cogs of chance have revolved into a propitious position
chemicals catch fire for exciting actions
under the street old fire moves under the sewers
maybe an alligator

they are calm creatures but we of course aren’t
we bounce off of each other into each other
flee from earth’s death the rising motion
the forest grows into skyscrapers petrifies
into the rings of suns More…

Simple things

Issue 2/1998 | Archives online, Authors, Reviews

Among the poetry published in Finland in 1997, Jyrki Kiiskinen identifies four voices that continue to reverberate long after their books are put down. Markku Paasonen is one of the four poets he discusses

‘I did not choose the cause, the cause chose me,’ wrote Pentti Saarikoski in the Sixties, when he thought he had found his life’s purpose in communism. Thirty years later, Markku Paasonen in his first collection Aurinkopunos (‘Sunweave’) writes: ‘I did not choose; the sea but the sea chose.’ More…

Slow, beautiful snow

Issue 2/1998 | Archives online, Authors, Reviews

Among the poetry published in Finland in 1997, Jyrki Kiiskinen identifies four voices that continue to reverberate long after their books are put down. Sirkka Turkka is one of the four poets he discusses

Sirkka Turkka welds demotic expressions, Biblical overtones, and Finnish pop songs together like a Jesus hanging out with publicans and prostitutes. She does this quite seamlessly, creating a lively verbal landscape: ‘Poetry / is completely senseless, like a mind / open all the time, babbling.’ But as it moves along in its self-identification with a farrago of phrases and sayings, the babble turns dense and multidimensional. The reader of Nousevan auringon talo (‘The house of the rising sun’) is invited to watch the construction and continuous renewal of an identity. More…

The house of the rising sun

Issue 2/1998 | Archives online, Fiction, poetry

Poems from Nousevan auringon talo (The house of the rising sun’, Tammi, 1997). Introduction by Jyrki Kiiskinen

Closeness. License to kill. And to go on living
         becomes impossible.
 When you see a waterfowl’s eyes, if you see them
         in the dark, that is the right distance.

Now the fire power of our forces consists of infantry arms.
         You are hard ammo exercises, controlled
 regression, kiss of a porcupine, flower
                   from the great gardener's garden, who
                          shall be killed nevertheless.
         The one who in every piss-stained jail cell tries
                   to inch his own death forward a little.
*  More...

Death, the Stranger

Issue 2/1998 | Archives online, Authors, Reviews

Among the poetry published in Finland in 1997, Jyrki Kiiskinen identifies four voices that continue to reverberate long after their books are put down. Rakel Liehu is one of the four poets he discusses

Rakel Liehu takes her walks in the garden of life and death, with not even a low hedge between her and the realm of the dead. We live in a world of absurd suffering, one that Liehu aptly names the ‘circular (saw) circus.’ We see a woman striving for balance in a splendid storm of words.

Skorpionin sydän (‘The scorpions heart’) finds much of its inspiration in the mythology of ancient Egypt, not least in its physical relationship to death. Liehu’s strong woman is closely attached to life: worms perform a symphony in her innards, and her ovaries are as punctual as the stationmaster’s watch. More…

The scorpion’s heart

Issue 2/1998 | Archives online, Fiction, poetry

Poems From Skorpionin sydän (‘The scorpion’s heart’, WSOY, 1997). Introduction by Jyrki Kiiskinen

Earth’s hot womb brought to a boil
the grain ripens

among your golden chaff
and sharp awns
you walk and listen

Death
        The Stranger
here it found a place, 

its dark apartments glittered
 the dead
perfumed, trembled

and now
through the small cremation hatch
you see
see how the coffin thunderously
flares, disappears
in elemental fire

*

More…

Paradise apple

Issue 2/1998 | Archives online, Authors, Reviews

Among the poetry published in Finland in 1997, Jyrki Kiiskinen identifies four voices that continue to reverberate long after their books are put down. Pentti Holappa is one of the poets he discusses

Pentti Holappa’s collection Älä pelkää (‘Do not be afraid’) is a mausoleum for murdered love. The poems speak from a juncture between present and past, in the obscurity of their own consciousness: ‘As soon as light penetrates the ambiguity of being, / the fruit falls outside the bounds of paradise.’ More…

Do not be afraid

Issue 2/1998 | Archives online, Fiction, poetry

Poems from Älä pelkää (‘Do not be afraid’, WSOY, 1997). Introduction by Jyrki Kiiskinen

Travel preparations

Late Friday night. Strange noises in the yard, someone
bangs on the door to the next stairway. Electricity hums.

I have just come back from the U.S. and France, from Sweden too.
On their channels, people laugh. They are having fun.

They are, nowadays, strange, young, and handsome, each and every one.
We did not have that when I was young. We limped.

We did not talk. We stammered tortuous phrases
and, while embracing, were afraid to be seen.

We did embrace. We clung to one another, expecting
to drown alone in every ninth wave.

I know my place is not here where I am. I think, I try
to construct conclusions. Someone looks over my shoulder.

Slowly the universe was born out of my mother s womb.
I am not responsible for its sudden extinction. On a Friday night.

I let them rule, the beauties and young lovers. My ticket has been written.
it is ready. I have had my shots against fear. I have my passport.

Bulldog

No European he who does not every morning
put on a tie. This morning, European
as I am, I looked at myself in the mirror
and noted that, incontrovertibly, more
and more every day, I resemble a
sad bulldog. Who has ever seen a bulldog smile?
We know we were born into the wrong world,
born to struggle. My bloodshot eyes tell me
I would like nothing better than to bed down m the straw
with my adversary, the bull, and ponder the stars.

Paradise apple

Consciousness is anchored to dark matter
as are the swells to the ocean. It is a quality
of matter, darkness glittering darkness. No need for words,
the overarching multidimensional web is one seamless
thought, not verifiable by observations or signs.
As soon as light penetrates the ambiguity of being,
the fruit falls outside the bounds of paradise.

The first sense

For another moment, you are incomprehensibly close,
you are mental image, you are voice, almost scent.
Only touch is missing, the most elementary of sensations
but precisely the one with which God tested the clay
with which the worm knows itself
with which there is hurt in torture and love,
and with which I miss your retreating appearance,
your tender groin, your rough hand.

(Written after a telephone conversation.)

Translated by Anselm Hollo

Weird calm

Issue 1/1998 | Archives online, Fiction, poetry

A selection of poems, translated by Herbert Lomas and Anselm Hollo. Interview by Tarja Roinila

Agnosis IV

Set your altar up in the evening,
 in the morning clear it away:
 the wandering goes on. Don't persuade yourself
             of anything, or anyone else:
 fearful forces are epidemic,
 no place is sacred
 for long.
                                 Again and again
                                 the sacred
 starts.
                                                If you happen to be
 there don't refuse to see.
(1989)

a light wind
            stirring a treetop:
 a shoal of fish
            in blue abyss

From Hiidentyven (‘Weird calm’, Otava, 1984) More…

The trees

Issue 1/1998 | Archives online, Fiction, Prose

A short story from Sunnuntaina kahdelta (‘Sunday at two’, Otava, 1997)

Maisa enjoyed her trees without knowing their names, without ever counting how many of them there actually were. The trunks twisted together and then forked again, the branches wound round and stretched past each other, and the tapered leaves rustled in dark, wide fans. In the autumn, when the wind blew and the rain fell, the naked stand of trees flailed in a single damp movement, and in February the branches snapped and cracked invisibly under the snow like a promise that would be fulfilled before long.

Sometimes on summer evenings, when the boy was asleep, she listened to the birds fluttering among the shaded lower branches, to the shrews and field mice dashing between the trunks on their nocturnal journeys and the roots pushing deeper into the soil day by day. When she shut her eyes, she could see the sap pulsing under the bark, and her own arms and legs moved more lightly, her heart beat strongly, and her thoughts welled up. More…

Great leap forward

Issue 1/1998 | Archives online, Authors, Reviews

The popular Finnish children’s author Zachris Topelius (1818–1898) was also a brilliant chronicler of the coming of the industrial revolution to Finland. ‘A road made of iron?’ That is the reaction of Matti, farmer and crofter, when his local vicar tells him about the wonder of railway travel. Familiarity may have dulled the astonishment and excitement of the celebrated short story Rautatie (‘The railway’, 1884) by the classic writer Juhani Aho (1861–1941) – but that is an occupational hazard for classics. [The first English translation 2012, The Railroad, by Owen Witesman]

Even in remote areas of Finland the railway, this new industrial mode of transport, spread, at first as an almost incredible piece of news. ‘Thought he could trick me!’ snorts Matti on his way home from the vicarage. More…

The matchstick

Issue 1/1998 | Archives online, Children's books, Fiction

A fairy-tale, first published in the literary yearbook Svea (Stockholm) in 1879. Introduction by Esa Sironen

The matchstick lay for the first time in its new box on the factory table and thought about what had happened to it so far during its short life. It could still dimly remember how the big aspen tree had grown on the river bank, how it had been felled, sawed, and finally planed into many thousand small splinters of which the match was one. After that, it had been sorted into piles and rows with its friends, dipped in horrible melting pans, put out to dry, dipped again and finally placed in the box. This was not really a remarkable fate, nor a great heroic deed. But the match had acquired a burning desire to do something in the world. Its body was made from the timorous aspen, which is constantly a-quiver because it is afraid that the faint evening breeze might grow into a gale and tear it up by the roots. It so happened, however, that the match’s head had been dipped in stuff that makes one ambitious and want to shine in the world, and so a struggle developed, as it were, between body and head. When the inflammable head, fizzing in silence, cried: ‘Rush out now and do something!’ the cautious body always had an objection ready, and whispered: ‘No, wait a little, ask and find out if it’s time yet!’ More…

A view to a kill

Issue 4/1997 | Archives online, Fiction, Prose

Extracts from the novel Klassikko (‘The classic’, WSOY, 1997). Pete drives an old Toyota Corolla without a thought for the small animals that meet their death under its wheels – or anything else, for that matter. Hotakainen describes the inner life of this environmental hazard with accuracy and precision

Pete sat in his Toyota Corolla destroying the environment. He was not aware of this, but the lifestyle he represented endangered all living things. The car’s exhaust fumes spread into the surroundings, its aged engine sweated oil onto the pavement, and malodorous opinions withered the willowherbs by the roadside. Granted that Pete was an environmental hazard, one must nevertheless ask oneself: how many people does one like him provide with employment? He leaves behind him a trail of despondent girlfriends who require the services of human relations workers, popular songwriters, and social service officials; during his lifetime, he spends tens of thousands of marks in automotive shops and service stations, on spare parts and small cups of coffee; he benefits the food industry by being a carefree purchaser of TV dinners and soft drinks. Pete is the perfect consumer, an apolitical idiot who votes with his wallet, the favorite of every government, even though no one seems interested in putting him to work, least of all himself. Every government, regardless of political power struggles, encourages its people to consume. Pete needs no encouragement, he consumes unconsciously, and one might ask: is there anything that he does consciously, the Greens and left-wingers would like him to? Does Pete make smart long-range decisions? Hardly.

More…

One hell of a time

Issue 4/1997 | Archives online, Fiction, Prose

Extracts from Lanthandlerskans son (‘Country shopkeeper’s son’, Söderströms, 1997). Brooklyn Bridge, Christmas Eve: Otto, a Finland-Swede, attempts to start a new life in 1930s America, where swindlers and even gangsters can, he finds, be duped – even Al Capone. Otto’s grandson listens to his story on tape

I have always loved that sight. A city that you see from the air at night, all lit up. It’s’ beautiful – and at the same time so frightening. I don’t really know how to describe it.

Well, it was Christmas Eve. I was wandering around New York. I had eaten at an automat. Do you know what that is? They don’t exist any more, but in the Twenties and Thirties they were common in America. It’s a cafe, but they didn’t have any staff or waiters, instead the walls were full of little glass boxes where the food was on display. You could select what you wanted – sandwiches and pies and salads, anything. Then you put your nickels and dimes in a slot beside the box and the glass opened and’all you had to do was take out the plate. I was fond of the automats. I liked just sitting there and watching other people eat, no one bothered about you, you were left alone and that suited me. When I’d finished eating I went outside again and somehow or other I wandered upon to Brooklyn Bridge. There was a lot of traffic, people were on their way home. Well, just as I was walking there alone in the company of my thoughts I heard someone shouting ‘Help! Help me!’ More…

A passion for darkness

Issue 4/1997 | Archives online, Authors, Essays

In the fourth part of an occasional series on writers and their inspirations, the essayist and short-story writer Leena Krohn considers the poet Uuno Kailas (1901–1933)

I’m far from claiming that Uuno Kailas has ever been my favourite author. But I definitely had a close affinity to him in an early phase of my life.

There were a lot of his volumes on the shelves in my childhood home. I leafed through them at a very early age – in my sixth, seventh and eighth years. There were times when, as a child, I was very afraid of the dark. I might lie awake at night, stiff with fear, hardly daring to breathe. Presumably that’s why I was drawn to his poem ‘On the edge’:

I’m afraid in my room,
I’m afraid of the window.
And the shadows
of people the window shows
as reptiles – lizards crawling
across my wall.
I’m afraid to look at the door,
it opens on dark.
The doorknob gleams:
it could turn
and they’d be there
the ones I’ve no name for,
the ones I see in my dreams. More…