Books from Finland - A literary journal of writing from and about Finland.

Claes Andersson. - Photo: Johan Bargum.

Bror Rönnholm on the poetry of Claes Andersson

‘Use it or lose it,’ writes Claes Andersson in his latest collection of poetry, Lust (‘Desire’, Söderström, 2008). The collection deals not only with the flesh and bones of things, but with thoughts and emotions: ‘First you are unfeeling then cold / then insensible’. And just like hate, love and desire, you will lose friendship too if you don’t use it.

Perhaps after 28 books and an active life as a psychiatrist, a politician and a jazz pianist, Claes Andersson (born 1937) has reached the age at which he realises that desire, in the broadest sense of the word, is not a self-evident, constantly regenerating spring, but something to nurture and to fight for. It goes without saying that an older person’s perspective and the proximity of death run through the collection like an active undercurrent. Despite the title there is also room for plenty of apathy in this collection. Or, rather, desire also has its darker, complicated sides. More…

Photo: Linda Stråka

The wind blows a great deal in Catharina Gripenberg’s second collection of poems, Ödemjuka belles lettres från en till en (‘Humble belles lettres from one to one’, Schildts, 2002). In the first poem we meet three siblings who, on their way across a bridge, are scattered and thrown about by the wind. In another poem a house blows away as a family sit around the dinner table – an event that does not, however, give rise to feelings of vulnerability, but becomes an opening to the world instead.

Perhaps the wind can be seen as an image of Gripenberg’s poetic strategy, a poetry in which nothing is really held in place and where anything may happen. Behind this strategy one senses a resistance to rigidity and outward fixation and a defence of the power of the imagination and of poetry’s ability to create freedom. More…